4 weeks ago

Coralie Fargeat’s The Substance – 2024 Cannes Critics’ Panel: Day 6
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Many were left scratching their heads when Cannes topper Thierry Frémaux made The Substance a part of the competition (and conversation) and the reason being that while the midnight films are a welcome inclusion in the overall line-up of the...
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The Substance | 2024 Cannes Film Festival Review
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Woman of Substance: Fargeat Rejuvenates Body Horror with Pulpy Parable To borrow a succinct phrase from Beyonce, ‘pretty hurts,’ a sentiment quivering through Coraline Fargeat’s morbidly entertaining sophomore feature, The Substance. Its simplistic title eventually reveals itself to be a...
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Cannes 2024: The Substance, Visiting Hours
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At this point in Cannes, exactly half the competition titles have premiered, which means that audiences are now primed to engage in a classic festival ritual. If you subject viewers to six days of some of the most demanding cinema...
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Sister Midnight | 2024 Cannes Film Festival Review
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Crazy On You: Kandhari’s Strange Fantasy of Madness It’s been nearly twenty years since director Karan Kandhari’s 2005 debut Bye Bye Miss Goodnight (since then working on short films and music videos, including Franz Ferdinand’s “Stand on the Horizon”). He’s back with...
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Jack Flack Always Escapes: Dabney Coleman (1932-2024)
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It takes a lot of courage to play a buffoon, and Dabney Coleman, who passed on May 16 at the age of 92,  had it in spades. Not many character actors of his constitution in 1980 -- white, male, middle-aged, thick...
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Cannes 2024 Video #3: Megalopolis, Kinds of Kindness, Oh Canada, Bird, Wild DIamond
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The Cannes Film Festival is underway, and Chaz Ebert is on the ground to report on every development. In this video, critic Isaac Feldberg joins Chaz to briefly discuss Francis Ford Coppola's "Megalopolis," Yorgos Lanthimos' "Kinds of Kindness," Paul Schrader's "Oh Canada," Andrea...
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Horizon: An American Saga – Chapter 1
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Over sixty years ago, directors Henry Hathaway, John Ford, and George Marshall joined forces to tell the story of America’s push toward the pacific. “How The West Was Won” was a tremendous undertaking. Produced through the three-strip Cinerama process, it...
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IF Review: A Stunted Imagination
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A winning premise and a big heart can’t save this fantasy romp from feeling unfinished. The post <em>IF</em> Review: A Stunted Imagination appeared first on Slant Magazine.
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Kirill Serebrennikov’s Limonov: The Ballad – 2024 Cannes Critics’ Panel: Day 6
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Thierry Frémaux sure does like mister Kirill Serebrennikov. Since showcasing The Student in 2016’s Un Certain Regard section, the Russian filmmaker (in exile) has been a fixture in the competition section (there was even the rumor he might showcase his...
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The Story of Souleymane | 2024 Cannes Film Festival Review
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Straightened Story: Lojkine’s Details Delivery App Woes to Application Process Lows Standing on fertile creative ground, Boris Lojkine once again explores the narratives of individuals far removed from their comfort zones, miles away from the familiar landscapes. Following 2014’s Hope...
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