2025 Indie Spirit Awards: Filmmaker Sarah Friedland & Producer Sarah Winshall Land Coin
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As per usual, well before the actual film awards show takes place (February 25th) – three lucky people in three categories are offered cash prizes rather trophyware by the Film Independent Spirit Awards folks – its that little extra nudge...
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2025 Golden Globes: Adrien Brody, Fernanda Torres, Demi Moore, The Brutalist & Flow Get Major Push for Oscar Noms
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In what was a highly anticipated Cannes competition rematch, Emilia Pérez stole the spotlight from Anora, sweeping four awards including Zoe Saldaña receiving the Best Supporting Actress nod possibly confirming that the four-person Best Actress win back in Cannes was...
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SNAKE EYES Headlines Kino Lorber’s 4K Roundup
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Streaming might be the future, but physical media is still the present. It's also awesome, depending on the title, the label, and the release, so join us as we take a look at the new 4K UHDs, Blu-rays, and DVDs...
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‘Oceans Are the Real Continents’ Review: A Poetic Look at Cubans Caught in Limbo
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With the film, Tommaso Santambrogio puts neorealism in the service of dream. The post ‘Oceans Are the Real Continents’ Review: A Poetic Look at Cubans Caught in Limbo appeared first on Slant Magazine.
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Busan 2024 Review: REVOLVER, Jeon Do-yeon Wants Her Money Back
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Revenge drives Jeon Do-yeon in the Korean thriller. [Read the whole post on screenanarchy.com...]
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Noah Wyle Anchors Intense, Effective Max Medical Drama “The Pitt”
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"The Pitt" is a smart show that values character detail and intricate medical science that sometimes succumbs to doses of melodrama that can be forgiven for everything that it does very well.
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Sound And Vision: Michael Gracey
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In the article series Sound and Vision we take a look at music videos from notable directors. This week: a trifecta of music videos by Michael Gracey. Michael Gracey started out as a special effects artist, before making it big...
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“It Was Worth the Hassle”: The Brutalist Editor Dávid Jancsó on Deliberate Pacing, Multiple Formats, and Crying at Venice
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With a sprawling 215 minutes and VistaVision footage, not to mention a variety of other formats––including 8mm, 16mm, Super 16mm, 35mm (two-perf, three–perf, four-perf, and eight-perf), Betacam, even an Arri Alexa shot––constructing Brady Corbet’s The Brutalist took editor Dávid Jancsó...
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Jared Mobarak’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Besides my annual trip to the Toronto International Film Festival—at which I mostly saw films that have...
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“The Brutalist,” “Emilia Pérez” Win Big at 2025 Golden Globe Awards
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The big winners of the first major awards of 2025.
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