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Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
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On four films that just premiered at Venice, including a dramatic turn for Dwayne Johnson.
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Locarno 2025 Review: LAKE Immerses the Audience in a Sensorial Drift Between Body and Landscape
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Fabrice Aragno abandons conventional storytelling in favor of a meditative, sensory experience where the human body, light, and landscape become the film's primary narrative elements. [Read the whole post on screenanarchy.com...]
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Sound And Vision: Adam Curtis
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In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at Weyes Blood's God Turn Me Into A Flower, directed by Adam Curtis. As a director Adam Curtis is...
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Venice Review: An Impressive Dwayne Johnson Softens Benny Safdie’s The Smashing Machine
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The Smashing Machine is a movie with a lot of heart and soul. It’s also a movie with great love for its subjects: the people involved and, for better and worse, the industry they helped build. It’s inspired by a...
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Locarno 2025 Review: THE FIN, Dystopian Sci-Fi Turns Environmental Collapse into Political Allegory
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Syeyoung Park's sophomore film is a dystopian sci-fi grounded in political allegory, using environmental mutation and social exclusion to reflect on ideology, historical amnesia, and state control. [Read the whole post on screenanarchy.com...]
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Venice Review: The Wizard of Kremlin Proves an Irrelevant, Cynical Approach to Vladimir Putin’s Russian 
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In April 2022, two months after Russia’s invasion of Ukraine, Italian author and political writer Giuliano da Empoli published a fictionalized account of Vladimir Putin’s ascent as seen through the eyes of his advisor. The Wizard of Kremlin almost immediately...
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Telluride Review: Noah Baumbach Makes His Fellini Film with Jay Kelly
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Let’s start here: Billy Crudup is one of our truly great actors. Early into Jay Kelly, written by Noah Baumbach and Emily Mortimer and directed by Baumbach, Crudup appears for a one-scene turn that jump-starts the narrative. Over drinks, his...
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Locarno 2025 Interview: DON’T LET THE SUN Director Jacqueline Zünd Discusses Heat, Humanity, and the Poetics of Minimalism
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Swiss filmmaker Jacqueline Zünd discusses the visual language, thematic layering, and hybrid process behind her fiction debut, offering insights into a future world shaped as much by emotional estrangement as by climate collapse. [Read the whole post on screenanarchy.com...]
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Screambox in September: Line-Up Includes SUSPIRIA, BRUTAL MASSACRE, THE FOREST HILLS
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It is a new month, so it is time for the folks over at Screambox to reveal their lineup of programming in the weeks ahead.    Shelley Duvall's final film, The Forest Hills, kicks things off this Friday. Along with...
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Healers and Nurturers: Ethan Hawke on the Artists of “Blue Moon” and “Highway 99: A Double Album”
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An interview with the star of Richard Linklater's newest film and director of a new documentary about Merle Haggard, both of which played Telluride.
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