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The Next Best Picture Podcast – “The Odyssey”
by admin|2 hours ago|Next Best Picture
For this week’s main podcast review, Lauren LaMagna, Josh Parham, Dan Bayer, Giovanni Lago and Brendan Hodges join me for the first time on video to review and discuss the latest cinematic event from Christopher Nolan, “The Odyssey” starring Matt...
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2026 Venice Film Festival: Projecting the Lido Lineup – 83 Titles in All!
by admin|8 hours ago|Ioncinema
Next week we will know the line ups for the 83rd Venice International Film Festival, as well as the 41st International Critics’ Week picks and 23rd Giornate degli Autori selections. Typically landing in the 21-to-23-film range, the Golden Lion competition...
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Karlovy Vary 2026 Review: 3 WEEKS AFTER Turns High-School Cruelty Into Social Horror
by admin|11 hours ago|Screen Anarchy
Miroslav Terzić's high-school drama pairs Ruben Östlund's austere formalism with Hanekean social horror in a study of adolescent cruelty and social exclusion, punctuated by unexpected mannerist flourishes. [Read the whole post on screenanarchy.com...]
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Karlovy Vary 2026 Interview: Sharon Horgan on BAD SISTERS, Global TV and the Lure of Cinema
by admin|15 hours ago|Screen Anarchy
The writer, actress and producer discusses the contracting television market, the economics of internationally financed comedy and why commercial calculations must stay out of the writing room. [Read the whole post on screenanarchy.com...]
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‘Sheep in the Box’ Review: Kore-eda Hirokazu’s Airlessly Insular Sci-Fi Fable
by admin|17 hours ago|Slant Magazine
The Japanese auteur’s latest shows nothing more clearly than its untapped potential. The post ‘Sheep in the Box’ Review: Kore-eda Hirokazu’s Airlessly Insular Sci-Fi Fable appeared first on Slant Magazine.
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João Paulo Miranda Maria’s ‘I Don’t Even Know Who I Was’ – Everything We Know So Far …
by admin|18 hours ago|Ioncinema
France-based filmmaker João Paulo Miranda Maria is one of the new emerging voices from Brazil and has already padded a resume of shorts that were showcased at Cannes and Venice to prove it hi savoir-faire. A cinema curious about colonialism,...
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Fantasia 2026 Review: TEENAGE SEX AND DEATH AT CAMP MIASMA, Bold Queer Exploration
by admin|1 day ago|Screen Anarchy
Opening with flesh and blood, Jane Schoenbrun's latest work, Teenage Sex and Death at Camp Miasma, is a continuation of the queer exploration found in their previous films, We're All Going to the World's Fair and I Saw the TV...
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Why The Emmys’ Decision To Remove Five Categories From The Primetime Broadcast Is A Mistake
by admin|1 day ago|Next Best Picture
Today, it was announced that the Academy’s Board of Governors voted to shift five categories from the Primetime Emmys broadcast to the less-viewed Creative Arts ceremony that takes place one week earlier. The demoted categories include Outstanding Writing for a...
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Fantasia Review: Dance Freak Is Pure Irreverent Nonsense, Gorgeously Conveyed
by admin|1 day ago|The Film Stage
What if two members of Baltimore’s Wham City Comedy took drugs and time traveled to the lo-fi, experimental underground cinematic heyday of Maya Deren to craft a surreally and absurdly bonkers riff on the Ship of Theseus paradox wherein a...
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Karlovy Vary 2026 Interview: THE STORY OF DOCUMENTARY FILM – 1980s Director Mark Cousins on Cinema Canons, Generative AI, Docs in the Post-truth Age
by admin|1 day ago|Screen Anarchy
Mark Cousins reflects on the political urgency of documentary, the limits of the established canon, the creative possibilities of the hybrid form and the existential challenge posed by artificial intelligence. [Read the whole post on screenanarchy.com...]
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