Ioncinema

Sleepless City (Ciudad Sin Sueño) | 2025 Cannes Film Festival Review
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A Boy & His Dog: Galoe Sweeps Through Slums in Restrained Debut Home is where the heart is, but such a sentiment becomes difficult to differentiate for the adolescent protagonist of Ciudad Sin Sueño (Sleepless Night), the directorial debut of...
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The Secret Agent | 2025 Cannes Film Festival Review
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Mischief, Thou Art Afoot: Filho Captivates with Seductive, Furtive Period Thriller Pregnant with dread and jam-packed with homage to the tone and time of sweaty, paranoid suspense thrillers of the 1970s, Kleber Mendonça Filho’s The Secret Agent (O Agente Secreto)...
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2025 Cannes Critics’ Panel: Day 6 – Wes Anderson’s ‘The Phoenician Scheme’
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With three previous films in the Cannes competition beginning with Moonrise Kingdom (2012), followed by 2011’s The French Dispatch (read ★★ review) and 2023’s Asteroid City (read ★ review), Wes Anderson has a safe home in France. Production on The Phoenician...
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The Phoenician Scheme | 2025 Cannes Film Festival Review
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Much Ado About Fussing: Anderson Spills More Twee The Wes Anderson devotee cult has been searching for a way to justify his cinematic sainthood following an arguable trend of hollow triumphs, and it seems his latest endeavor, The Phoenician Scheme,...
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2025 Cannes Critics’ Panel: Day 6 – Kleber Mendonça Filho’s ‘The Secret Agent’
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A favorite filmmaker of the festival, and perhaps the best Brazilian filmmaker currently working, Kleber Mendonça Filho has been to Cannes on many occasions. He has been a fiour star tyope of filmmaker for us with Aquarius (read ★★★★ review)...
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Nouvelle Vague | 2025 Cannes Film Festival Review
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Make Me Lose My Breath: Linklater Meddles in Manicured Homage It’s unclear what the exact purpose of Nouvelle Vague is meant to serve, other than paying irreverent homage to Jean-Luc Godard and the making of his iconic debut feature, “...
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2025 Cannes Critics’ Panel: Day 5 – Lynne Ramsay’s Die My Love
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A Cannes Film Festival regular, British filmmaker Lynne Ramsay has five features under her belt and all of them have shored up on the Croisette (this also includes two shorts as well – in 1996, she was awarded the Jury’s...
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Renoir | 2025 Cannes Film Festival Review
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Family of Straw: Hayakawa Paints Busy Coming-of-Age Portrait Going in the opposite direction of her 2022 debut Plan 75, a sci-fi meditation on Japan’s aging population, director Chie Hayakawa sets her sights on one defining summer for an eleven-year-old girl...
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2025 Cannes Critics’ Panel: Day 5 – Richard Linklater’s ‘Nouvelle Vague’
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This is Cannes Film Festival’s third invite (second time competition) to veteran American indie filmmaker Richard Linklater. Oddly his first visit was almost two decades back and he came packing a pair of films – Fast Food Nation and A...
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Die My Love | 2025 Cannes Film Festival Review
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Images of Yellow Wallpaper: Ramsay Charts a Psychotic Break For her first narrative feature in eight years, Lynne Ramsay returns with Die My Love, based on the 2019 novel by Ariana Harwicz. In essence, it’s a troubling, captivating character study...
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