Ioncinema

Welcome back to the second portion of our Cannes Film Festival Competition predictions. Earlier we had ten titles jostling among our prognostications; today we add sixteen more. Enjoy the list below, share it among peers, and make sure to join...

With over a dozen acting credits (she began as a teenager) under her belt most notably works with Sebastián Lelio, Martín Rejtman and Andrés Wood’s Machuca (which premiered at the Directors’ Fortnight in 2005), Chilean filmmaker Manuela Martelli‘s first short...

In less than two weeks, Thierry Frémaux will unveil the (never 100% complete but always tantalizingly close) lineup for the 79th edition of the Cannes Film Festival. Sure, the trades have intel, but there’s plenty of speculation too—titles long thought...

Break My Soul: Lapid Explores Compromised Artistry During Wartime Essentially, YES, the latest film from Israeli auteur Nadav Lapid, is a portrait of an artist as a compromised man. Its innocuous title is essentially a rebuke of a contemporary reality...

Can You Ever Forgive Me?: Jude Skewers the Status Quo Ownership is an unsaid key word in Kontinental ’25, the latest perambulating spasm from Romanian director Radu Jude, which navigates an intersection of self-accountability, property, language, and culture as precarious...

Before we dive headfirst into full-on Palme d’Or predictions tomorrow (with a part deux that will drop brunch time on Sunday) – we now look at the items that Thierry Frémaux would have possibly looked at (and secured) for the...

Introduced in 1978 by Gilles Jacob, the Un Certain Regard sidebar typically presents around twenty films championing distinctive styles and unconventional storytelling. In recent years, the section has increasingly shifted toward spotlighting emerging filmmakers—those still early in their careers, from...

World cinema heavyweights Mia Hansen-Love, Justine Triet and Bertrand Bonello are among the filmmakers who received some Eurimages fund via the first project evaluation session of 2026. Backing a total of 32 feature films (including two documentaries and one animated...

It’s nearly impossible to predict what the programming crew led by Artistic Director Julien Rejl will cook up for year four, but if the previous editions are any guide, they’ll once again champion films flying low under the radar—or completely...

The parallel selection dedicated to debut and sophomore features films had a chockfull of crème de la crème options last year beginning with solid opener and closing films in Laura Wandel’s L’intérêt d’Adam (review) and Alice Douard’s Love Letters (review)...