Ioncinema

Hanna Gray Organschi’s ‘Rubber Hut’ – Everything We Know So Far … (American Indie Edition)
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With a trio of shorts under her belt in Bea, Seriously (2021), Merci, Poppy (2024) and F*ck That Guy (2024) tri-state area now NYC based filmmaker Hanna Gray Organschi continues working with themes surrounding stubborn female protagonists with a feature...
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Gabor Reisz’s ‘Ember végez’ – Everything We Know So Far…
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In his three film filmography, Hungarian filmmaker Gábor Reisz has offered a social commentary mostly irony over deadpan, to explore folks who are often adrift in a confusing world, where social tensions mount and auds are offered insight thru different...
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Total Eclipse of the Art: Markus Schleinzer Sets Christian Friedel as ‘Klaus’ Nomi
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Fresh off the acclaimed Berlinale premiere of his third feature, Rose (hands down was among read our glowing review), Austrian filmmaker Markus Schleinzer is now piecing together what could be quite an avant-garde biographic treatment of a singular artist’s rise...
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No Disappearing Act Here: Kino Lorber Locates Manuela Martelli’s ‘The Meltdown’
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Following its Un Certain Regard premiere at Cannes, Manuela Martelli’s sophomore feature The Meltdown (El Deshielo) has landed at Kino Lorber, marking a renewed collaboration between the distributor and the Chilean filmmaker. The idea will be to showcase the film...
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2026 Eurimages: Kira Kovalenko, Monia Chokri & Camille Vidal-Naquet Land Coin
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Some Cannes Film Festival alumni in Kira Kovalenko, Monia Chokri and Camille Vidal-Naquet have landed important coin for their upcoming feature film projects via Eurimages. This round has supported 33 co-productions, including three documentaries and four animations, for a total...
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The Most Precious Of Cargoes | Review
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The Zone of Disinterest: Hazanavicius Reanimates the Holocaust in Moral Fable What’s most interesting about director Michel Hazanavicius are his valiant attempts at dabbling in multiple genres and styles, clearly exemplifying a broad taste in cinematic subjects and inspirations. Unfortunately,...
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Dietrich in Four Acts: Agnieszka Holland Longs for ‘Berlinweh – Yearning for a Home’
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Showing no signs of slowing down with the output of Charlatan (2020), Green Border (2023), and Franz (2025) this decade, Agnieszka Holland is entering the sewing circle following film history’s most iconic actress in Marlene Dietrich. The trades announce that...
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Romería | Review
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Blood Relatives: Simon Treads Familiar Water with Continued Autofiction After winning the Golden Bear at the Berlin Film Festival for her 2022 sophomore film Alcarras, Carla Simón returns to the autobiographical roots inspiring Summer 1993 (2017), her debut feature. The...
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Alexandra Qin’s ‘Thirstygirl’ – Everything We Know So Far … (American Indie Edition)
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She broke onto the scene when her 2023 short landed in the Sundance Film Festival (it was our top ranked short of that edition) and from there Alexandra Qin has been riding a wave morphing the short into her ambitious...
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Aga Woszczyńska’s ‘Black Water’ – Everything We Know So Far …
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After a trio of shorts a decade or so back, Polish filmmaker Aga Woszczyńska landed on the film scene when her feature debut Silent Land shored up in the prestigious Platform section at TIFF back in 2021 for the hybrid...
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