Ioncinema

2025 Cannes Critics’ Panel: Day 3 – Óliver Laxe’s ‘Sirat’
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When he was selected for the prestigious competition section this past April, Paris-born Spanish  of Galician background filmmaker Óliver Laxe achieved a remarkable feat of having all four of his films in all sections of Cannes. His first three films...
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2025 Cannes Critics’ Panel: Day 3 – Dominik Moll’s ‘Dossier 137’
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Known for a filmography heavy into psychological thriller portraits with noir and crime element trimmings, the French-German filmmaker saw his second and third features films land in the Palme d’Or competition back with With a Friend Like Harry… (2000) and...
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Sirat | 2025 Cannes Film Festival Review
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A Bridge Too Far: Laxe Enters the Zone “The Zone wants to be respected. Otherwise it will punish.” Aleksandr Kayadonvsky’s line from Tarkovsky’s existential sci-fi classic Stalker (1979) comes to mind when viewing Sirat, the fourth and arguably most accessible...
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Dossier 137 | 2025 Cannes Film Festival Review
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Investigation of Citizens Above Suspicion: Moll Persists with Police Procedural Dominik Moll reunites with his usual collaborating scribe Gilles Marchand in Dossier 137, their third genre oriented title in a row following Only the Animals (2019) and their runaway hit...
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L’Engloutie (The Girl in the Snow) | 2025 Cannes Film Festival Review
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Snow Way: Hémon Delivers Unwanted Help in the High Alps A young, idealistic school teacher almost literally chooses her hill to die on in Louise Hémon’s feature debut L’Engloutie (The Girl in the Snow), a slow-burning battle of wills between...
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Two Prosecutors | 2025 Cannes Film Festival Review
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Ordeal by Innocence: Loznitsa Mines the Terrors of Naïveté A good man is hard to find, and if one were to be found, he’s likely wet behind the ears. So begins a retrospective parable in Two Prosecutors, the first narrative...
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2025 Cannes Critics’ Panel: Day 2 – Sergei Loznitsa’s ‘Two Prosecutors’
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The Belarusian born, Ukraine filmmaker has loaded up the Cannes Film Festival with what feels like an easy dozen offerings in both the docu and fiction form and spreading over into the Competition, Un Certain Regard and Special Screenings sections....
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2025 Cannes Critics’ Panel: Day 2 – Mascha Schilinski’s ‘Sound of Falling’
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A little bit after this year’s Berlinale, there was was a great deal of buzz surrounding a certain German title that opted for the Croisette instead of a homecoming premiere platform. When numerous trades identified that Berlin-born, German filmmaker Mascha...
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Mission: Impossible – The Final Reckoning | Review
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Tom Cruise Can’t Stunt His Way Out Of A Middling ‘Mission’ Finale At this point in the Mission: Impossible series, franchise stewards — star Tom Cruise, and writer/director Christopher McQuarrie — have trained audiences to expect, well, the impossible. Purchasing...
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Sound of Falling | 2025 Cannes Film Festival Review
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Women on the Verge of a Nervous Breakdown: Schilinksi Paints a Microcosm of Misogyny The original title of Mascha Schilinski’s sophomore feature was The Doctor Says I’m Alright, But I’m Feelin’ Blue, which actually better captures the sinister poetics of...
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