Ioncinema

Vital Vigo: Newcomers Llúcia Garcia & Mitch Topline Carla Simón’s ‘Romería’
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Last September, we had the first details on what Summer 1993 and Golden Bear winning Alcarràs (read review) filmmaker Carla Simón was cooking up for a third feature. Yesterday, we learned via the Cineuropa folks that production on Romería began...
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Quo Vadis, Aida?: The Missing Piece – Žbanić To Explore Psychology of Women Still Searching
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Last September, we were thrilled to share a small yet significant piece of news: Jasmila Žbanić was preparing a sequel to her acclaimed film in 2020’s Quo Vadis, Aida? (read our ★★★★ star review), which was selected at the Venice...
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Exclusive Clip: The Kids Aren’t All Right in Alexandros Avranas ‘Quiet Life’
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After winning the Silver Lion for Best Director with Miss Violence (2013), Greek filmmaker Alexandros Avranas returns to the Lido in the Orizzonti section with his latest work. This time, the focus is on a Russian family exiled to Sweden,...
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Interview: Mika Gustafson – Paradise is Burning
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Swedish filmmaker Mika Gustafson shifts from the docu world beginnings to her fiction feature debut in Paradise is Burning – a selection in the 2023 Venice Film Festival’s Orizzonti section. Winner of the Best Director award, Gustafson infuses her world...
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2024 Locarno Film Festival: Saulė Bliuvaitė Wins Pardo d’Oro for Toxic (Akiplėša)
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The 2024 film festival summer closed out with the prizing at the Locarno Film Festival and it’s the debut feature of a Lithuanian filmmaker who claimed to highest prize in the Golden Leopard aka the Pardo d’Oro. Our Nicholas Bell...
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By the Stream | 2024 Locarno Film Festival Review
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Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur Hong Sangsoo’s latest, By the Stream (his second premiere of the year following A Traveler’s...
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The Life Apart | 2024 Locarno Film Festival Review
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Imitation of Life: Giordana Composes an Old-Fashioned Miracle Music seems to be the language of the heart in The Life Apart (La vita accanto), a bizarre tale of suffering and expiation relayed with sedate repose by director Marco Tullio Giordana. Having...
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New Dawn Fades | 2024 Locarno Film Festival Review
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Through a Glass Darkly: Keltek Finds Divinity Through Insanity Sanism might be the term best used to define the trials and travails faced by the protagonist of Turkish director Gürcan Keltek‘s sophomore film New Dawn Fades (Yeni șafak solarken). Like...
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Toxic (Akiplėša) | 2024 Locarno Film Festival Review
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The Taste of a Poison Paradise: Bliuvaite Explores the Commodification of Women’s Bodies Lithuanian filmmaker Saulė Bliuvaitė perhaps could not have contrived a more succinct title than Toxic (Akiplėša) for her debut feature, set in the bleak confines of an...
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Cent mille milliards | 2024 Locarno Film Festival Review
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The Unhappy Hooker: Vernier Explores Ennui in Monaco Interconnected drifters aligned with sex work once again provide the backbone for Virgil Vernier’s third feature 100,000,000,000,000 (aka Cent mille milliards), a reference to the futile amount of money required to buy...
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