Ioncinema

From Dag Johan Haugerud‘s Dreams (Sex Love) to Palme d’Or winning It Was Just an Accident by Jafar Panahi to the Silver Lion winner in The Voice of Hind Rajab by Kaouther Ben Hania, the 2025 European Film Awards have...

Out Of Luck: Colin Farrell Can’t Save This Tale Of A Gambler Gone Bust Is Edward Berger hard of hearing? That might be the first question you ask upon finishing the thunderous Ballad of a Small Player. While the director...

Brings out the chips, dip, chains and whips. Production has officially began on filmmaker  Isabella Eklöf‘s third feature film – which officially becomes the first item in the DOGMA 25 canon. The provocatrice filmmaker known for her breakout in the...

Madrid-born filmmaker Rodrigo Sorogoyen has been working in both television and film for nearly two decades. He rose to prominence with 2018’s El Reino (The Realm), a political thriller that swept several Goya Awards (Spain’s Oscars) including Best Director and...

You’ll Like My Mother: Bronstein Lets Us Feel the Byrne Motherhood approaches the verge of the horrific in If I Had Legs I’d Kick You, the irrepressibly stressful sophomore film from director Mary Bronstein. A spot-on ensemble led by Rose...

Fusing a country’s psychological rift and political shift alongside a truly complex character study that explores innocence loss, absence and community disillusionment, in Milk Teeth (Dinți de lapte) Romanian filmmaker Mihai Mincan poses the question of what is left behind...

From the Land of Ice and Snow: Cocina & Leon Pursue Hermetical Cinematic Spell To say the latest feature from the experimentally inclined Chilean directing duo Cristóbal León and Joaquín Cociña is unclassifiable would be something of an understatement, delving...

Using the road-movie narrative template to explore an unconventional form of companionship, The Kidnapping of Arabella is far from a typical coming-of-age film — in fact, it might be better described as a “coming out-of-age” journey. One of your first...

On a Nuclear Day You Can See Forever: Bigelow’s Living in a Powder-keg, Giving Off Sparks With the doomsday clock adjusted to eighty-nine seconds to midnight at the dawn of 2025, something like Kathryn Bigelow’s latest film, A House of...

Cannes’ Critics’ Week has unveiled the seven international filmmakers and three composers who are headed to Corsica for the third edition of its Next Step II programme. The Settlers‘ Felipe Galvez, The Maiden’s Graham Foy, Alma Viva’s Cristele Alves Meira,...