Ioncinema

The projects for the upcoming Venice Gap-Financing Market have been unveiled (27 feature-length fiction) and there’ll be several listed here projects that we’ll discuss at length next year when they start hitting the festival circuit of 2025 and especially, 2026....

One Deadly Summer: Breillat Agitates Another Sexual Taboo Suddenly, last summer, a successful lawyer who has it all risks throwing her life away with an illicit sexual liaison in Last Summer, the return of eternal provocateur Catherine Breillat for her...

The results of the second Eurimages Project Evaluation Session for 2024 have just been announced and we are finding some major projects in the mix that have either began filming or are getting ready for a summer, fall, winter and/or...

She was pulled from obscurity (or non-retirement since her last feature was 2013’s Abuse of Weakness) when Saïd Ben Saïd optioned the rights to 2019 Danish film Queen of Hearts and then proposed it French filmmaker Catherine Breillat, and as...

The Secret Life of Bees: Solaguren’s Warm Debut Explores the Communal Dictation of Gender Identity Our relationship to our gender and sexual identities is so overwhelmingly dictated in our formative years by the binary certitudes of family and culture it’s...

Love in the Blood: Beau Resurrects Russian Vampire Clan in Eccentric Genre Throwback Chuck Palahniuk wrote it best, referencing an ‘old saying’ in his 1996 novel Fight Club regarding how ‘you always kill the one you love.’ It’s certainly the...

After being feted on the Lido (winner of the Director’s Award in the Giornate degli Autori section – we were there) and being showcased at TIFF, Ariane Louis-Seize returned to her home turf for the presentation of her award-winning feature...

Sentimental Succubus: Louis-Seize Finds Love is All Consuming in Vampire Rom-Com “Love means never having to say you’re sorry” read the tagline for the quintessential 1970 romantic drama Love Story, in which a young man and woman from different walks...

The Good Pole: Holland’s Humanitarian Drama a Steady Drizzle of Misery Porn The difference between an exploitation vs. a social issue film can sometimes be difficult to ascertain, sometimes straying into both territories, usually depending on the agenda of its...

Agnes of God: Franz & Fiala’s Bleak Portrait of Women & Madness “A Witch is born out of the true hungers of her time,” wrote Ray Bradbury in one of his stories from Long After Midnight (1976), as succinct a...