Ioncinema

Homegrown | Review
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Been Caught Stealing: Premo Watches the Pendulum Swing Right Utilizing the January 6 United States Capitol attack as the docu’s rousing finale, Homegrown delves deep into the heart of right-wing activism, capturing the real-time intensity (and hostility) of three separate...
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Kamila Andini’s ‘Four Seasons in Java’ – Everything We Know So Far …
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One of Southeast Asia’s most important contemporary filmmakers, Indonesian’s Kamila Andini is now at the fifth feature mark in just over a dozen years of filmmaking. A regular at the Berlinale and Toronto Intl. Film Festivals, she most recently premiering...
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Interview: Ava DuVernay
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It wasn’t meant to actively promote anything, but I had a very brief conversation with Ava DuVernay at the Marrakech International Film Festival in 2024. I saved this moment to mark the start of a new year in moviemaking—because the...
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2025 Marrakech Intl. Film Fest: Promised Sky Wins L’Étoile d’Or + All the Winners!
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After acknowledging the work of Debora Lobe Naney, Jury president Bong Joon-ho awarded Marrakech’s top award to Erige Sehiri‘s Promised Sky. The Under the Fig Trees filmmaker had returned to Cannes earlier this year and competed in the Un Certain...
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Interview: Murat Fıratoğlu – One of Those Days When Hemme Dies
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As we reflect on the year’s best films, it’s also worth remembering those that made a strong impact on the festival circuit but never secured a theatrical release—among them a remarkable debut that was ultimately chosen as Turkey’s official Oscar...
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2025 Marrakech Film Festival – Atlas Workshop: Asmae El Moudir & Laila Marrakchi
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Moroccan filmmakers Asmae El Moudir and Laila Marrakchi shared the €20,000 top prize ex aequo at the eighth edition of Marrakech’s Atlas Workshop, the industry platform dedicated to Moroccan, Arab, and African cinema. El Moudir’s Don’t Let the Sun Go...
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Interview: Laura Wandel – Adam’s Sake (L’Intérêt d’Adam)
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For her sophomore feature, Belgian filmmaker Laura Wandel continues her rigorous exploration of childhood as a site of ethical conflict, institutional pressure, and emotional vulnerability. Receiving a second invite to Cannes (nestled in the Critics’ Week section, while Playground before...
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Abinash Bikram Shah’s ‘Elephants in the Fog’ – Everything We Know So Far …
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Cutting his teeth writing features in Deepak Rauniyar’s Highway (2012 – a Berlinale selection) and Min Bahadur Bham’s Kalo Pothi: The Black Hen (2015’s Venice selection), Nepalese filmmaker Abinash Bikram Shah gradually padded on the shorts with his 2022 short...
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Interview: Boris Lojkine – Souleymane’s Story
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After winning the Un Certain Regard Jury Prize and the Best Actor award for first-time performer Abou Sangare at the 2024 Cannes Film Festival, the film went on to receive numerous further awards and accolades over the course of the...
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The Testament of Ann Lee | Review
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Shake It Up: Fastvold Envisions the Life’s Work of a Religious Leader There’s a fervor roiling beneath the surface of Mona Fastvold’s third feature, The Testament of Ann Lee (which has an alternative title, The Woman Clothed by the Sun,...
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