Ioncinema

A House of Dynamite | Review
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On a Nuclear Day You Can See Forever: Bigelow’s Living in a Powder-keg, Giving Off Sparks With the doomsday clock adjusted to eighty-nine seconds to midnight at the dawn of 2025, something like Kathryn Bigelow’s latest film, A House of...
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2025 Critics’ Week Next Step II Programme: Felipe Galvez, Graham Foy, Cristele Alves Meira, Mikko Myllylahti & Michael Borodin Selected
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Cannes’ Critics’ Week has unveiled the seven international filmmakers and three composers who are headed to Corsica for the third edition of its Next Step II programme. The Settlers‘ Felipe Galvez, The Maiden’s Graham Foy, Alma Viva’s Cristele Alves Meira,...
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2025 Prix IRIS: Rankin’s ‘Universal Language’ Leads “Quebec Oscar” Noms with 17; Lesage’s ‘Comme le feu’ Lands 8
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Once again, the Gala Québec Cinéma’s Prix IRIS (the “Quebec Oscars”) has released a muddled field of nominations, awkwardly grouping standout 2024 films with a fresh crop of 2025 premieres. Taking place on December 7th, we’ll certainly find a bunch...
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50th Résidence du Festival de Cannes: Federico Luis & Maksym Nakonechnyi Among the Half Dozen Invites
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Federico Luis from Argentina and Maksym Nakonechnyi from Ukraine are among the six young filmmakers chosen for the Festival de Cannes Residency in Paris. Luis’s film Simon of the Mountain was selected for Critics’ Week in 2024, and Nakonechnyi’s Butterfly...
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The Ice Tower (La Tour de Glace) | Review
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Hearts of Glass: Hadžihalilović Casts a Wintry Spell A chilly scene of winter unfolds in La Tour de Glace (The Ice Tower) at a glacial pace, content with shattering itself into pieces for those desiring to get anywhere near it....
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2025 American Film Festival – US in Progress: Talia Lugacy, Dash Shaw & Suzi Yoonessi Selected
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Poland’s American Film Festival (November 6 to the 11th) have announced the lucky nine projects that will participate in this year’s US in Progress in Warsaw and Wrocław. Fiction projects in final stages of editing come to Poland to essentially...
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The Smashing Machine | Review
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Raging Lull: Safdie Pays Homage to a Trailblazer The ultimate purpose of The Smashing Machine, the latest film from Benny Safdie, is to give credit where credit is due, paying tribute to mixed martial artist and UFC fighter Mark Kerr,...
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Fastvold Fast Track: Searchlight Clothed with ‘The Testament of Ann Lee’ Beneath Her Feet
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After being in the awards conversation in previous years with Poor Things and A Complete Unknown, Searchlight Pictures are looking to be a part of the conversation once again. With Rental Family and Is This Thing On? has perhaps long-shot...
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Beauty in the Breakdown: Sachs Directs Rami Malek & Rebecca Hall in 80s New York Musical ‘The Man I Love’
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Coined as a “musical fantasia of a city under duress,” Rami Malek is making a return to American indie and Rebecca Hall makes it two for two with Ira Sachs stepping into a new genre with The Man I Love....
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The Ghost in the Machine: Kleber Mendonça Filho Plots 1930s Recife Dive from ‘Pictures of Ghosts’ DNA
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Currently on an extended promotional tour since winning in Cannes with The Secret Agent (read review), Kleber Mendonça Filho will essentially easter egg or prequel from his fabulous docus Pictures of Ghosts – taking viewers back to 1930’s Recife. In...
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