Ioncinema

Tennis Anyone?: Film Movement to Serve Leonardo Van Dijl’s Cannes Fave ‘Julie Keeps Quiet’
||
A new voice in Belgian cinema emerged earlier this year when the Cannes Critics’ Week section premiered Julie Keeps Quiet – the directorial debut by Leonardo Van Dijl who until that point had worked on docu, shorts and music vids....
continue reading
Poetic Justice: Blake Draper Unbottled in Patrick Wang’s ‘A. Rimbaud’
||
American micro-indie filmmaker Patrick Wang of 2011’s In the Family (read review), The Grief of Others (2015), A Bread Factory (2018) parts I and II, was working under the radar and his latest project – Variety have the full details...
continue reading
Tropical Tapestry: Apichatpong Weerasethakul Won’t Shoot ‘The Fountains of Paradise’ before 2026
||
In an interview with Les Inrocks folks, Apichatpong Weerasethakul revealed that his upcoming project, the tentatively titled The Fountains of Paradise, is unlikely to begin shooting until 2026. The Thai filmmaker shared that he is currently in the process of...
continue reading
Lingering Influence: Meryem Benm’Barek Filming ‘Behind the Palm Trees’
||
A project initially scheduled for a 2023 shoot has finally been greenlit, with Cineuropa confirming that Meryem Benm’Barek has been filming her sophomore feature since midway point last month. Behind the Palm Trees stars Sara Giraudeau and Driss Ramdi in...
continue reading
Daaaaaali! | Review
||
Good Golly, It’s Dali: Dupieux Dreams Surreal in Distinctive Biopic It seems surrealism’s pioneer Salvador Dali is experiencing something of a culturally concentric resurgence as a cinematic subject, granted his most appropriately thematic rendering yet in Quentin Dupieux’s Daaaaaali!, the...
continue reading
A Pain That I’m Used To: Metrograph Pictures Tables Dea Kulumbegashvili’s ‘April’
||
Perhaps the landmark sophomore feature of 2024, Georgian filmmaker Dea Kulumbegashvili has found a safe space in the U.S. via newish distributor Metrograph Pictures who acquired the North American rights to the Venice Special Jury Prize winner. Hailed as the...
continue reading
Catch Me If You Scan: Dunst Joins Derek Cianfrance’s “Roofman”
||
Perennial favorite in American indie cinema, we’ll definitely be getting some Derek Cianfrance cinema in 2025 as production began this week on Roofman. Deadline reports that Kirsten Dunst will play the person who is admired from afar (or from above)...
continue reading
Joker: Folie à Deux | Review
||
Joke’s On Us: Phillips Composes an Empty, Boring Spectacle Kudos to Todd Phillips for forcing US audiences to be confronted with the intriguing subtitle for his highly anticipated sequel, Joker: Folie à Deux, a psychiatric term from 19th century French...
continue reading
Around the Horn: Claire Denis to Direct Matt Dillon, Riley Keough & Isaach de Bankolé in ‘Le Cri des Gardes’
||
ARTE France Cinéma is backing a quartet of projects and among them, we find the new Claire Denis project that she was possibly scouting two years back. Set to star Matt Dillon, Riley Keough and her muse Isaach de Bankolé,...
continue reading
2024 U.S. in Progress: Amanda Kramer, Pete Ohs, Mark Webber & Miles Levin Among 8 Selected
||
Following a standout 2023 edition, where critically acclaimed films like India Donaldson’s Good One premiered at Sundance and Cannes, and Sarah Friedland’s Familiar Touch swept three major awards in Venice, the U.S. in Progress team in Wrocław continues to elevate...
continue reading