Ioncinema

Interview: Mika Gustafson – Paradise is Burning
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Swedish filmmaker Mika Gustafson shifts from the docu world beginnings to her fiction feature debut in Paradise is Burning – a selection in the 2023 Venice Film Festival’s Orizzonti section. Winner of the Best Director award, Gustafson infuses her world...
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2024 Locarno Film Festival: Saulė Bliuvaitė Wins Pardo d’Oro for Toxic (Akiplėša)
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The 2024 film festival summer closed out with the prizing at the Locarno Film Festival and it’s the debut feature of a Lithuanian filmmaker who claimed to highest prize in the Golden Leopard aka the Pardo d’Oro. Our Nicholas Bell...
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By the Stream | 2024 Locarno Film Festival Review
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Right Sketch, Wrong Skit: Sangsoo Scans Patterns in Bittersweet Interludes Perspectives of regret and the uncertain odyssey of retrospection emphasize the undertones of perennial auteur Hong Sangsoo’s latest, By the Stream (his second premiere of the year following A Traveler’s...
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The Life Apart | 2024 Locarno Film Festival Review
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Imitation of Life: Giordana Composes an Old-Fashioned Miracle Music seems to be the language of the heart in The Life Apart (La vita accanto), a bizarre tale of suffering and expiation relayed with sedate repose by director Marco Tullio Giordana. Having...
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New Dawn Fades | 2024 Locarno Film Festival Review
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Through a Glass Darkly: Keltek Finds Divinity Through Insanity Sanism might be the term best used to define the trials and travails faced by the protagonist of Turkish director Gürcan Keltek‘s sophomore film New Dawn Fades (Yeni șafak solarken). Like...
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Toxic (Akiplėša) | 2024 Locarno Film Festival Review
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The Taste of a Poison Paradise: Bliuvaite Explores the Commodification of Women’s Bodies Lithuanian filmmaker Saulė Bliuvaitė perhaps could not have contrived a more succinct title than Toxic (Akiplėša) for her debut feature, set in the bleak confines of an...
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Cent mille milliards | 2024 Locarno Film Festival Review
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The Unhappy Hooker: Vernier Explores Ennui in Monaco Interconnected drifters aligned with sex work once again provide the backbone for Virgil Vernier’s third feature 100,000,000,000,000 (aka Cent mille milliards), a reference to the futile amount of money required to buy...
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Agora | 2024 Locarno Film Festival Review
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The Dead Don’t Die: Slim Sets Adrift in Tedious Metaphors For his third feature film, Agora, Tunisian director Ala Eddine Slim continues in the realm of allegory, this time infusing elements which suggest arthouse genre. However, the initial enigmatic intrigue...
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2024 European Film Awards: Audiard, Guiraudie, Fargeat, Gomes & Rasoulof Among First Selections
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The 2024 Fiction Feature Film selections are in and we have twenty-nine film titles as part of the first wave of eligible Euro items. the second wave will be announced in September. We of course have several 2024 Berlinale film...
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Moon | 2024 Locarno Film Festival Review
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Bitter Moon: Ayub Concocts a Taut Domestic Thriller “It takes time for a bird to escape, even after someone has opened the doors to its cage,” wrote Ayaan Hirsi Ali, famed author of The Caged Virgin, former politician, and critic...
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