Ioncinema

Smells Like Entrepreneurial Spirit!: Courvoisier Climbs Up the Totone Poll In her directorial debut, Louise Courvoisier delves into themes of altruism and resilience, navigating a narrative that straddles the line between a troubled past and an uncertain future. It’s got...

Dole Days: Arnold Flutters About with Strange Bedfellows There’s certainly a definable emotional core in Andrea Arnold’s fifth narrative feature, Bird, but the ideas and themes tying it all together are about as wispy and freewheeling as scattered feathers drifting...

Winner of two Palme d’Ors, Francis Ford Coppola‘s makes a huge return to Cannes with a film that will not go unnoticed in Megalopolis. With the price tag of about 120 Sean Baker features, this Julius Caesar salad (forgive the...

The Executioner’s Song: Millet’s Stabbing Debut Looks at How Control Moves Beyond Borders If a Syrian doesn’t find himself in Syria does he still make a sound? In Jonathan Millet’s feature debut, those who are far, far away from their...

We have two English-language items with two very different price tags in today’s double pairing for the competition. The first item out of the gate (that caused several of our critics scheduling issues) was the latest film by Andrea Arnold....

Life During Wartime: Loznitsa’s Gaze Blankets Ukraine Director Sergei Loznitsa continues as the ultimate contemporary chronicler of Ukraine’s past and present, his latest, the aptly titled The Invasion, highlighting lives of citizens over the past two years of war with...

Atlas Farted: Coppola’s Labor of Love a Lackluster Saga While he’s one of the greatest film directors of all time, mostly thanks to a handful of films he delivered during the 1970s New American Cinema movement, Francis Ford Coppola’s long-gestating,...

The Act of Watching: Lou Ye Mixes Picture Lock Dreams & Lock Down Nightmares Does a film exist if it was never completed? It’s a reality that no working filmmaker ever wants to entertain, and yet we find sixth-generation Chinese...

From the Land of Ice and Snow: Cocina & Leon Pursue Hermetical Cinematic Spell To say the latest feature from the experimentally inclined Chilean directing duo Cristóbal León and Joaquín Cociña is unclassifiable would be something of an understatement, delving...

The Damned Do Cry: Minervini Details a Doomed Mission For his first narrative feature, Roberto Minervini tackles another aspect of the evolving American identity with The Damned. A period piece depicting a company of volunteer soldiers charged with patrolling and protecting...