Ioncinema

Raíz (Through Rocks and Clouds) | 2024 Berlin Intl. Film Festival Review
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A Walk in the Clouds: Becerra Mines Escapism and Innocence in Quiet Drama A dwindling group of alpaca herders find themselves on the verge of violent displacement in Franco Garcia Becerra’s sophomore film Through the Rocks and Clouds. In essence,...
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My New Friends (Les gens d’à côté) | 2024 Berlin Intl. Film Festival Review
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Your Friends & Neighbors: Téchiné Tries for Ethical Sentiments Now in his eighties, director André Téchiné continues his steady, perennial output with the humanist melodrama My New Friends. Though its English language feels a bit trite, the original French language...
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Dying (Sterben) | 2024 Berlin Intl. Film Festival Review
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Family Matters: Glasner’s Sprawling Portrait of Chaotic Dysfunction Exemplifying Tolstoy’s famous Anna Karenina quote on ‘every unhappy family is unhappy in its own way,’ German filmmaker Matthias Glasner makes his first narrative feature in over a decade with the cryptically...
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Some Rain Must Fall | 2024 Berlin Intl. Film Festival Review
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Mistress of Misery: Yang Explores the Turmoil of Transformation Here comes the rain again, falling on her head like a tragedy. Or so is the somewhat gloomy sentiment of Qiu Yang’s debut Some Rain Must Fall, which finds Cai, 45-year-old...
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Dahomey | 2024 Berlin Intl. Film Festival Review
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Plunder Years: Diop Reflects on the Complex Realities of Reparation The spirit of Ozymandias, the classic poem from Percy Bysshe Shelley, might rouse itself in one’s mind during Mati Diop’s short but passionate documentary Dahomey – “Look on my Works,...
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Interview: Tran Anh Hung – The Taste of Things
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In the Cannes Best Director-winning, The Taste of Things (aka The Pot-au-Feu) the passage of time is measured in teaspoons, tablespoons and table manners. Three decades after his playful exploration of the senses in The Scent of Green Papaya, Tran...
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Origin | Review
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Caste of the Unjust: DuVernay’s Scholarly Drama Traces the Universal Social Ills of Hierarchy For her fifth narrative feature, Origin, Ava DuVernay takes an inventive approach to adapting Pulitzer Prize Winner Isabel Wilkerson’s 2020 nonfiction publication Caste: The Origins of...
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2024 Cinema Eye Honors Awards: Sam Green’s 32 Sounds Lands Best Picture – Oscar Nom Next?
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Sam Green‘s 32 Sounds took the top honor of Best Feature at the 2024 Cinema Eye Honors Awards. Will this acknowledgement help raise the film’s profile for next week’s Oscar voting? The doc which premiered at the 2022 edition of...
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2024 Sundance Screenwriters Lab Fellows: Dozen Projects & 16 Participants for the Class of ’24
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Sixteen fellows with a dozen projects (out of 3,400 submissions) will be headed to the mythic bunk beds and cabin life of Utah just prior to the upcoming Sundance Film Festival. Here their words on paper will be tested, tried...
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Interview: Selman Nacar – Hesitation Wound
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Every few years, a notable new Turkish filmmaker emerges, and in this instance, we find Selman Nacar floating to the top of major film fests. Front-loaded with moral and legal quandaries, Hesitation Wound (Tereddüt Çizgisi) blurs the lines, seamlessly intertwining...
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