Roger Ebert

More updates from the upcoming festival in Prague.

“Nautilus” is fun to watch and feels ever so slightly subversive.

Terry Gilliam’s 1985 film is alive with visual details that become more apparent with every new viewing.

Season 3 plays largely the same game as the previous season, with an added dose of tortured pathos.

The co-star of the Apple TV+ series talks about making unusual choices and the best advice she ever got about acting.

On balance it’s one of the most buoyant and joyous pieces of television I’ve experienced in years.

A series with no discernible story, character development, or sense of purpose.

An interview with the writer-director of A24's latest dramedy.

The writer-director and star discuss “the politics of embodiment,” the fine nuances of scripting movement, and disrupting old narratives of decline.

The monthly drop of the best in physical media including special editions of films by William Friedkin, Alex Proyas, Sidney Lumet, and Shane Black.