Roger Ebert

Cannes 2025: Die My Love, Pillion, Mirrors No. 3
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On three Cannes premieres, including films from Lynne Ramsay, Christian Petzold, and one of the best debuts in years.
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Cannes 2025: A Useful Ghost, Arco
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Ghostly household appliances and a boy from the future mark two of Cannes' more out-there entries this year.
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Cannes 2025 Video #2: Festival Dispatch with Isaac Feldberg
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Two of our contributors sit down to talk about what they've seen (and loved) at Cannes so far.
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Cannes 2025: The Little Sister, The Wave
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Today's Cannes dispatch features tales of women fighting for freedom in Algeria and Chile.
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Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
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A confidently made procedural from the Competition program for this year’s Palme d’Or should engage with audiences outside of Cannes more than two films that misstep enough that they’re likely to struggle when they leave the sea air on the...
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Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
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On three movies about difficult childhoods from this year's Cannes.
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Cannes 2025: Left-Handed Girl, Sirât
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Today's dispatch includes a Sean Baker production and the latest from Oliver Laxe.
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Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
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Despite the elegant production design and admirable effects, "Murderbot" feels like a sci-fi comedy still searching for identity.
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Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
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The opening days of the fest included strong words from Palme recipient Robert De Niro on our present political moment.
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Though Uneven, ‘Overcompensating’ Is a Promising New Comedy
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Despite the occasional unevenness, it’s one of the most promising comedies to hit television in recent memory.
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