Roger Ebert

The Lonely Landscapes of “Materialists” and “The Worst Person in the World”
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At their core, both films believe that the only meaningful union two people can forge is a sexual, romantic one.
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Female Filmmakers in Focus: Victoria Mahoney on “The Old Guard 2”
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The director of the Netflix action sequel talks about the long wait between pictures and the importance of community for Black female filmmakers.
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Short Films in Focus: Q&A with “Living Reality” Director Philip Thompson
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An interview with the director and star of the meta-sitcom short.
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A Dispatch From the Bentonville Film Festival
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Looking in at the Geena Davis-founded film festival.
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The Unloved, Part 138: Rebel Moon
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Reclaiming Zack Snyder's gargantuan sci-fi epic after it was abandoned on Netflix.
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Light the Fuse: Lalo Schifrin (1932-2025)
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A tribute to the legendary composer behind "Mission: Impossible" and "Dirty Harry."
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Sex and Threads: The Major Works of Takashi Miike
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Miike crochets sex and fashion with masterful finesse, elevating his worlds and his thesis with undeniable attitude. 
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AMC’s “Nautilus” Gives Us Indiana-Jones Worthy Adventure with Imperialist Villains
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“Nautilus” is fun to watch and feels ever so slightly subversive.
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We’re All In This Together: “Brazil” at 40
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Terry Gilliam’s 1985 film is alive with visual details that become more apparent with every new viewing.
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