Roger Ebert

Cannes 2025: Leave One Day, The Gold Rush
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The opening night of the fest features a lackluster new release and a venerated classic.
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Tom Seguro’s Got “Bad Thoughts” to Share, But Only a Few Are Worth Hearing
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The sketches that work best do so in spite of the scatology, not because of it.
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J.J. Abrams, Josh Holloway Reunite on Clever if Inconsistent “Duster”
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Josh Holloway is back in a fun throwback show that works when it remembers to be escapism.
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Cannes Film Festival 2025: A Look at the Cannes Classics Program
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A look at the incredible slate of classic films playing at Cannes this year, including
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Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
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A preview of the 78th Cannes Film Festival.
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Remembering Jan Dawson, My Mother-in-Law (Twice)
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Remembering the mother of the writer's first two wives.
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Explosive Action Carries “DOOM: The Dark Ages” Even as New Ideas Falter
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A review of the new DOOM game from someone who has been playing this series for three decades.
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Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
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Season 2 continues the show's episodic tradition in fine form, while finding a few corners in which to shake up Charlie's world.
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Wisdom of the Sages: Warren Buffet, Deborah Szekely and Buddy Guy Show Us the Way
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Looking at three figures who can help us through these troubled times.
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Female Filmmakers in Focus: Dea Kulumbegashvili on April
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An interview with Dea Kulumbegashvili, the director of the critically acclaimed "April."
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