Roger Ebert

Sharks, while undeniably lethal, are also, studies have shown, kind of dumb. And “The Last Breath” is a cheesy new thriller that is even dumber than a real shark. Not that it features any real sharks — the predatory creatures here...

The suburbs are hell. That's what the movies keep telling us. Perfect nuclear families living in their McMansions are often anything but perfect. It's not exactly new cinematic territory, but it's a well that gets tapped often because it's just...

It doesn’t happen often, but sometimes I return to a film to discover my initial gut reaction might have been a bit too harsh. When I first watched Sean Wang’s emotionally brutal coming of age film “Didi” at Sundance—where it...

When thinking about the present resurgence of the cinematic hitman, it’s difficult not to immediately think about the legacy of Jean-Pierre Melville. My thoughts on Melville’s impact on the stock character have been percolating through several critics’ mentions of the...

Everyone from Shakespeare to Martin Luther to Pier Paolo Pasolini has taken a crack at retelling one or more tales from Giovanni Boccaccio’s The Decameron. First published in 1353, the short story collection follows 10 noblemen and women as they...

At the Art House Convergence’s recent independent film exhibition conference held in Chicago, Josh Frank, author and urban drive-in entrepreneur, announced his radical initiative for luring people back into theaters: Silent movies. Hold on, hold on, hear him out. “Silents...

Taika Waititi, Iain Morris, and Jemaine Clement putting their mark on Monty Python creator Terry Gilliam's 1981 classic "Time Bandits" is an ambitious scheme in of itself. In recent times, Waititi and Clement's brand of whimsical comedy, while frequently clever...

Wonder what movies we’ll be talking about during this upcoming Oscar season? A handy cheat-sheet every year is the lineup of the Venice Film Festival, which starts August 28 and is the first of several high-profile fall festivals. Even the...

The two-hander is an elegant structure for a lower-budget effort: Just plop two characters together, often in a single location, and let the actors' performances and the innate tension of the scenario play itself out. It's a very genre-flexible conceit, malleable...

“Deadpool & Wolverine” exists because Hugh Jackman, who has played Wolverine nine times and had supposedly retired the character after 2017’s “Logan,” loved the Deadpool series and was friends with star Ryan Reynolds. He wanted the mutant with the adamantium...