Roger Ebert

Ben (Grant Rosenmeyer) is not okay. His wife and artistic collaborator Sarah (Reina Hardesty) died suddenly, leaving him in a state of shock. He forgets to eat, he forgets to sleep. Stuck in a neverending stupor, he forgets to take...

Writer-director Monia Chokri’s “The Nature of Love,” is a two-hour foray into longing, self-searching, and passion. Sophia (a magnetic Magalie Lépine Blondeau), is a philosophy professor who is stably, but stagnantly in-like with her wealthy partner of 10 years, Xavier...

From the moment Dave (Ewan McGregor) frantically walks across a deserted parking lot, “Mother, Couch” feels empty. Dressed in a black suit, Dave walks toward a furniture store filled with vintage, handcrafted pieces. At the front desk is the bubbly...

The high-concept South Korean army thriller “Escape” clocks in at a swift 94 minutes long. It could have easily gone on longer. There’s simultaneously too much and not enough action in this intriguing, but underdeveloped story about a North Korean...

Born from the still unbridled creativity of children, where an empty room and a random assortment of objects can inspire the most whimsical of adventures, imaginary friends respond to each young mind’s needs for companionship. The intricacies of these invisible...

Mia Goth and Ti West took the world of arthouse horror by storm in 2022 with the one-two punch of “X” and “Pearl,” distinct and original films within a bold, new cinematic universe.   “X” was a grisly homage to ‘70s...

In Jeff Lipsky's films, it's normal for characters to talk for ten minutes straight, and it's normal for other characters to listen without interrupting. You have to just go with the convention. Or, not. You don't "have" to do anything....

As I was writing up this second dispatch from Karlovy Vary International Film Festival, I couldn't help but think that this is probably the best collection of titles I’ve had this year in one of these write-ups. The three films here...

A movie theater would probably be the best place to see “Kill,” a bloody Hindi-language Indian beat-em-up set on a train to New Delhi. The movie features a handful of visually dynamic fight scenes, choreographed by action directors Se-yeong Oh...

You can almost hear the elevator pitch: “Legally Blonde” in space, an under-rated ditz who doesn't dress or talk like the snobbish types with the gilded resumes but shows she has the right stuff. Then maybe add a little bit...