Roger Ebert

Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
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Its final five installments are classic "Cobra Kai"—melodramatic, cheesier than a charcuterie board, and deeply affectionate towards its sprawling dojo of misfits.
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In the Name of Friendship: Matthew Rankin on “Universal Language”
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One of Canada's most idiosyncratic fantasists discusses the links between Iranian cinema, architecture, and cultural exchange.
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“Anora,” “Shōgun” Win Big with Critics Choice Awards
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A report from this year's CCA and a list of winners.
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In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
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Making a case for the need for Joel Schumacher's particular brand of stylistic indulgence in an increasingly sterile film world.
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Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
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If nonfiction films are determined to look, feel, and move like fiction, what’s the point of nonfiction filmmaking?
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Book Excerpt: An Anthony Mann Reader by Scout Tafoya
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An excerpt from our contributor's new book about the great Anthony Mann.
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Navigating Sundance as a First Timer
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A personal report from the Sundance Film Festival with advice for anyone thinking of attending Park City next year.
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“El Norte” Screening Commemorates Sundance Institute History at Pivotal Moment 
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On a major event at Sundance this year celebrating Gregory Nava's El Norte.
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Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
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An interview with the filmmaker behind the Chicago-set indie landmark.
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