Roger Ebert

Becoming Other: Another Look at Under the Skin
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“Under the Skin” revolves around an unnamed alien creature played by Scarlett Johannsson roaming around the streets of Glasgow in Scotland observing, mimicking, and devouring human beings. For the sake of comprehension, this analysis will refer to this character as...
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When Paul Simon Bombed at the Movies
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Last night, MGM+ premiered the first chapter of its two-part documentary “In Restless Dreams: The Music of Paul Simon.” (Part Two airs this Sunday.) It’s an exhaustive look at the 82-year-old singer-songwriter’s career—or, at least, the first chunk of it,...
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Palm Royale is Pretty and Shallow, Which At Least Matches its Characters
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Apple TV+’s “Palm Royale” has unfortunate timing. It’s an earnest entry in the class-striving genre, here telling the tale of Kristen Wiig’s Maxine Simmons D'ellacourt as she tries to break into high society in Palm Beach in the 1960s. But...
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SXSW 2024: Table of Contents
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BRIAN TALLERICO"The Antisocial Network: Memes to Mayhem""Arcadian""Azrael""Babes""Cheech & Chong's Last Movie""Clemente""Dandelion""Desert Road""Dickweed""The Fall Guy""Gasoline Rainbow""Grand Theft Hamlet""The Hobby""I Don't Understand You""I Love You Forever""Immaculate""Kryptic""Monkey Man""My Dead Friend Zoe""A Nice Indian Boy""Oddity""Omni Loop""Resynator""Road House""Roleplay""Secret Mall Apartment""She Looks Like Me""Stormy""Things Will Be Different""This is a Movie...
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SXSW 2024: Omni Loop, Desert Road, Things Will Be Different
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I’ve had several conversations recently with people regarding how time has gotten weird since the pandemic. Maybe it’s because we were locked inside for so long, but some events of the last four years feel like they took place yesterday...
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SXSW 2024: Clemente, Cheech & Chong’s Last Movie, This is a Movie About the Black Keys
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Bio-docs have become a staple of the film festival circuit, an easy way to get butts in seats by attracting fans of the subjects on the screen. To be honest, this genre of non-fiction filmmaking has also become glutted with...
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The Greatest Hits
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If you’re a genre nostalgic who’s looking for a romantic comedy that could’ve been made in the ‘90s or early aughts, and that features all of the comforting types (including the widowed protagonist, the dreamy lost love, the sassy, truth-telling...
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SXSW 2024: Whatever It Takes, Resynator, The Hobby
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The documentary sections at SXSW were very strong this year with standouts like “Roleplay,” “Grand Theft Hamlet,” and “Gasoline Rainbow,” which I expect will all find loyal fans when they leave the fest circuit. However, the documentary that could make...
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The Antisocial Network: Memes to Mayhem
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There has been a growing subgenre of non-fiction films that I jokingly call “Internet Bad” movies. The worst of these feel like shallow fearmongering, playing up the fears of older viewers like a modern “Reefer Madness.” Part of the problem...
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SXSW 2024: Dandelion, A Nice Indian Boy, I Don’t Understand You, I Love You Forever
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Film festivals have long been a safe place for personal stories, usually independently produced passion projects for creators to explore their own interests and sometimes even their life journeys. Sometimes a film like this can almost feel too close to...
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