Roger Ebert

Effective Second Season of “Peacemaker” Proves the Future of the DCU’s TV Slate is Bright
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Gunn has doubled down on the small moments that made this series stand out, crafting a second season that almost feels like an entirely different show. 
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“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
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The lean nature of the storytelling here is refreshing in a time when most games are undeniably flabby.
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Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
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An interview with the star of the balls-to-the-wall action sequel.
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Locarno Film Festival 2025: Blue Heron, Dracula, Legend Of The Happy Worker
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On a trio of daring new films that premiered at Locarno, including the latest from Radu Jude.
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USA’s “The Rainmaker” is a Traditional TV Legal Drama
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“The Rainmaker” is stimulating enough without asking any broader questions.
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Prime Video’s “Butterfly” Sometimes Flutters, Sometimes Sputters
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“Butterfly” looks good and never stops moving, but it doesn’t make my heart flutter.
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Meet the Writers: Peyton Robinson
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An interview with one of our regular critics.
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FX’s “Alien: Earth” Shatters Already High Expectations
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"Alien: Earth" is like nothing else on television.
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Josh Larsen on the Return of Cinema Interruptus
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Matt Zoller Seitz speaks to Josh Larsen about the upcoming Cinema Interruptus presentation of Robert Altman's The Player.
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