Roger Ebert

For nearly a quarter century, the Chicago Palestine Film Festival has showcased film gems by or about Palestinians. One of the largest global populations of Palestinians lives in Chicago, concentrating in southwest suburban Bridgeview, also known as “Little Palestine.” After...

Andy Kaufman doesn’t want you to watch his biopic. At the start of “Man on the Moon,” Kaufman (played by Jim Carrey) appears on screen, addressing us directly, using the squiggly voice he’d wield on stage and on “Taxi.” “I...

Minhal Baig’s “We Grown Now” is a film masterfully tied to the emotive potential of place. A period piece centered in Cabrini-Green in the early '90s, the film is as Chicago born and bred as the characters it loves throughout...

Will there ever be a version of “Rebel Moon—Part 2: The Scargiver” that makes the movie and its franchise seem essential? Director and co-writer Zack Snyder has already tried to whip up his fanbase by teasing “R-rated” versions of the...

Set in 1992 in the northernmost United States, where criminals run drugs and guns over the border with Canada, "Blood for Dust" is a hard, nasty crime thriller about hard, nasty men. Directed by Rod Blackhurst from a script by David Ebeltoft,...

“Dusk for a Hitman” is a husk of a great film. Director Raymond St-Jean has a sturdy central character—though the crime drama is based on the real life of Montreal fixer Donald Lavoie, much of it is fictional—made stronger through...

Say what you will about “Stress Positions,” the new indie comedy that marks the feature debut of writer-director-costar Theda Hammel: it's not overly consumed with coming across as likable to potential viewers. Not only does it take us back to...

Matthew Modine has been acting in movies for over 40 years. He started out in the '80s and '90s in a string of memorable films, including "Vision Quest," Alan Parker's "Birdy" (opposite another talented unknown named Nicolas Cage), Stanley Kubrick's "Full Metal Jacket," and...

It’s hard to think of a contemporary mainstream male filmmaker who consistently writes better female characters than Alex Garland. Before his directorial career began, he primarily focused on stories about men: his novel The Beach (which was adapted for the...

“What made you talk to them?” “Still kinda putting that together in my own mind.” That really is the impossible question at the center of HBO’s wildly influential “The Jinx: The Life and Deaths of Robert Durst,” isn’t it? Why...