Roger Ebert

Not adapted so much as vertiginously extrapolated from a Henry James novella, Bertrand Bonello’s audacious “The Beast” is a hypnotic and destabilizing vision of a past, present, and future in which two star-crossed lovers struggle to connect in the face...

“LaRoy, Texas” immediately tests your expectations. Driving down a dark dirt country road, Harry (Dylan Baker), whose car headlights are the only beacons of life amid the barren clime, passes a broken-down truck parked off-road. A few yards later, Harry...

The truly impressive slice of nightmare fuel, “Disappear Completely,” premiering on Netflix today after a successful fest circuit run that included Fantastic Fest, almost feels like John Carpenter or Wes Craven’s “Nightcrawler.” Yeah, horror fans out there have probably already stopped...

A movie about a high school golf team made up of Mexican-American teenagers in the 1950s creates expectations in the viewer. There will be sunlit greens (writer/director Julio Quintana has worked with Terrence Malick), condescension and blatant bigotry, setbacks, supportive...

Four tall, scruffy creatures amble through a storybook forest. They walk, they eat, they build shelter, and repeat. The group exchanges a wordless cacophony of grunts, screams, and whoops to communicate, but we are not privy to their conversations. Like...

Ninety-one minutes, including seven for closing credits, isn’t enough for “Sting,” a modestly scaled horror caper that pits a flesh-eating spider against a handful of Brooklynites. A little more would likely have gone a long way, given how rushed and...

Documentaries about cultural hotspots are as common as the film festivals that play them. Seems if an establishment sticks around long enough, especially in a city like New York, a filmmaker will want to make a movie about its longevity....

Director Wade Allain-Marcus’s “Don’t Tell Mom the Babysitter’s Dead” is a remake of the 1991 original, repurposing an older narrative for a new generation and, this time around, centering on a Black family. Seventeen-year-old Tanya Crandell (Simone Joy Jones) looks...

O.J. Simpson, who saw his 1970s and 80s genial public image as an attractive athlete and sometime performer eclipsed by his acquittal for the murder of Nicole Brown Simpson and Ron Goldman, has died of cancer at age 76, according...

On May 14, the 77th edition of the Cannes Film Festival gets underway. That means the annual tradition of glamorous red carpets and starry premieres is nearly upon us—not to mention the unveiling of the winner of the Palme d’Or,...