Screen Anarchy

THE MORTICIAN Review: Ashes to Ashes, Dust to Dust. But Whose Ashes?
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Joshua Rofé's documentary series dives into the case of a mortician accused of mishandling ashes of the dearly departed. [Read the whole post on screenanarchy.com...]
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SHALL WE DANCE? Interview: Masayuki Suo and Tamiyo Kusakari Discuss Their Unexpected Love Story
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A Japanese director and star reflect on the romantic classic that brought them together. [Read the whole post on screenanarchy.com...]
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Giveaway! Get a Pair of Tickets to I DON’T UNDERSTAND YOU in Montreal
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Giveaway time! The amazing folks at Vertical and Route 504 PR have graciously given ScreenAnarchy, 5 pairs of tickets to give away to our readers in Montreal, for an advance screening of the new horror comedy film, I Don't Understand...
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Friday One Sheet: MEGAN 2.0
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Leaning hard into a magenta, back-lit, pop-star aesthetic, LA's design for the sequel to Blumhouse's surprise hit M3GAN, has the most elegant, and wonderfully simple alliteration tagline of the year, "Miss Me?" This could easily be a super hero or action movie poster,...
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THE PHOENICIAN SCHEME Review: All Dressed Up and Nowhere to Go
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Out of many cultural references featured in Wes Anderson’s latest film, The Phoenician Scheme, the one that was absolutely not intended by the authors, but that keeps coming to mind, is Amy Adams’ famous rant in The Fighter about having...
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BONO: STORIES OF SURRENDER Review: Let the Little Man Tell His Story
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The one-man stage show by Bono comes vividly to life under Andrew Dominik's direction. [Read the whole post on screenanarchy.com...]
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KARATE KID: LEGENDS Review: Old-School Formula Reworked for the 21st Century
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The 1980s were a veritable Golden Age for fans of The Karate Kid franchise.   Starting in 1984 with the John G. Avildsen-directed The Karate Kid, the loose trilogy took Daniel LaRusso (Ralph Macchio), a lifelong underdog and first-time martial...
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Cannes 2025 Review: EXIT 8 Sets New Standard for Videogame Adaptation
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Genki Kawamura's out-of-competition midnight title works because it sticks close to the original. [Read the whole post on screenanarchy.com...]
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TWO WOMEN Review: Like Trapped Birds, They Learn to Fly
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Karine Gonthier-Hyndman, Laurence Leboeuf, and Mani Soleymanlou star in director Chloé Robichaud's film. [Read the whole post on screenanarchy.com...]
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DETECTIVE KIEN: THE HEADLESS HORROR Review: Chilling Terror in Rural Vietnam
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Victor Vu's new mystery follows the search for a missing woman. [Read the whole post on screenanarchy.com...]
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