Screen Anarchy

A new slasher film from Poland delivers the goods for fans of creepy and mean masked killers. [Read the whole post on screenanarchy.com...]

We always want to know where the next horror films are coming from, and Spooky Pictures is going to be one of those places down the line.    Yesterday, Spooky Pictures, led by producers Steven Schneider (Paranormal Activity, Insidious, Pet...

The poster for Greek horror science-fiction hazy tale of unexplored grief, She Loved Blossoms More, has worthy-weird poster, with slime-green text, and a textured background of dried and oxidized blood. And of course, the key and central image of the...

Time and its many forms form the core of Coming of Age, one of the standout new titles at this year's Busan International Film Festival. Director Jeong Seung-o explores familial responsibility and personal desire with wit, frankness and lucidity in...

Tickets are on sale now for the subversive and underground event, OFF-VIFF, a single day devoted to bucking the system, offering something well outside the norms of the conventional festival experience.    They had us at grilled cheese sandwiches (see...

A surprisingly perfect role for two-time Academy Award winner Emma Thompson (Sense & Sensibility, Howards End), the Brian Kirk-directed Dead of Winter centers on Thompson’s grounded, realistic portrayal of a working class, Minnesota woman, Barb (accent and all), understandably mourning...

Four teenage outcasts team up to save the animals in the quirky and quiet metaphorical The Gorals. This second film from Yoo Jae-wook, the co-director of Limecrime, another tale of teens on the fringe, recalls several indie films about young...

Inspired by real stories from Tokyo’s LGBTQ+ community, Anshul Chauhan’s Tiger follows a young man as he navigates the Japanese capital’s underground queer scene, while also struggling to reconcile his chosen lifestyle with the one he left behind. Tiger had...

Lightsaber hands and legs, oh my! [Read the whole post on screenanarchy.com...]

Philippe Falardeau discusses the making of his bold and unconventional adaptation of Alain Farah's autobiographical novel, which reframes the wedding film as a playful yet unsettling exploration of memory, anxiety, and cultural identity. [Read the whole post on screenanarchy.com...]