Screen Anarchy

Young climate change scientist, Elias falls in love with an aspiring singer, Anita. But when an opportunity arises for him to join a mission researching a dangerous climate change phenomenon—a mysterious fracture on the ocean floor—he chooses career over love....

To call the Criterion Collection's October 2025 lineup anything less than masterful would be doing the films and the label a disservice. It's more like: wow! The official announcement is bookended by David Cronenberg: first, a 4K of A History...

A jungle kayak adventure descends into terror when a group of friends becomes the target of a merciless, bloodthirsty tribe. [Read the whole post on screenanarchy.com...]

Our friends at the Popcorn Frights Film Festival just announced the second wave of programming for their 11th edition, which will be held in South Florida, U.S., from August 7-17. Some 25 film premieres have been added, along with special...

Eddington, the fourth feature from Ari Aster (Hereditary, Midsommar, Beau is Afraid), moves away somewhat from horror and the uncanny we've come to expect in his films, into a combination of a western and crime thriller that focuses in a very fraught...

Fantasia is nearly upon us, and with almost two hundred feature films spread out over three weeks of cinematic bliss, we thought you could use a bit of a roadmap to success in what to look forward to at this...

Annapurna Sriram discusses how her hallucinatory, sex-positive debut 'Fucktoys' reclaims grindhouse cinema through the female gaze, fusing occult symbolism, Southern grit, and unapologetic DIY energy into a radical vision of liberation. [Read the whole post on screenanarchy.com...]

In I KILL U, from director Yoo Ha, taekwondo athlete Kang Sun-woo (Kang Ji-young) reluctantly agrees to pose as the double for an heiress (also Kang) implicated in a hit-and-run scandal. The money is good and the task seems simple...

Watch the video! [Read the whole post on screenanarchy.com...]

Where to watch the director's first three, increasingly divisive feature films (which we all love). [Read the whole post on screenanarchy.com...]