Screen Anarchy

Friday One Sheet: MAGELLAN
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The majestic ode to the age of exploration and sail show in today's key art belies the revisionist historical film from slow cinema maestro Lav Diaz. With its hazy sunrise and high grain, and jaunty tilt (note the waterline, and...
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Exclusive HERMAN Clip: He Tried to Warn Her
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We have an exclusive clip from Andrew Vogel's debut feature film, Herman, which will release on VOD, digital on December 2nd.   Set in a mountain cabin, an isolated survivalist confronts a mysterious calling from a dark force. Tormented and...
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SISU: ROAD TO REVENGE Review: Worse Things Than Death. Unleash Hell. And So Forth.
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Jorrma Tommila and Stephen Lang battle to the death in Jalmari Helander's pulverizing action thriller. [Read the whole post on screenanarchy.com...]
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Exclusive: HYPERNORMALIZED, New Horror Thriller From Justin McConnell Wraps Production
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You read it here first. Our friend, Justin McConnell (Lifechanger, Clapboard Jungle), has wrapped production on a new horror thriller called Hypernormalized.    Plagued by intense nightmares and a relentless otherworldly entity, one isolated man’s sanity begins to slip. As...
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KILL BILL: THE WHOLE BLOODY AFFAIR: Tickets on Sale Today & Exclusive Still From New Animated Sequence
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Tickets went on sale today for the opening weekend of the theatrical release of Kill Bill: The Whole Bloody Affair, the single, unrated cut of Quentin Tarantino's revenge opus.   Presented in 70mm in limited release, with a single run...
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PLURIBUS Review: The Consequences of Love
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Rhea Seehorn stars in Vince Gilligan's new science fiction drama on Apple TV. [Read the whole post on screenanarchy.com...]
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WICKED: FOR GOOD Review: Follow-Up To Last Year’s Smash Hit Fails To Justify Its Running Time
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When studio executives, driven by commercial and not artistic concerns, decide to expand an adaptation of a beloved, long-running Broadway musical, the results will inevitably look and, more importantly, sound like Jon M. Chu’s (Crazy Rich Asians, Now You See...
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THE RED SPECTACLES Review: Mamoru Oshii’s Absurdist Take on Authoritarianism Gets a Second Life
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Memory hardens around those who experience violence, turning guilt or pain into an armor they must carry long after the wounds close. That burden is the doorway into Mamoru Oshii's The Red Spectacles, a film where guilt materializes as a...
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RENTAL FAMILY Review: Brendan Fraser Delivers Another Unimpeachably Winning Performance
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Sometime in the 1990s, rental agencies in Japan spontaneously formed around the singular idea of renting people — or to be more exact, renting their time — to act as stand-ins, role-players, and/or performers in everyday events, from marriages to funerals...
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KOKUHO Review: The Splendor of Kabuki
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A hit in Japan, where it was selected to represent the country at the Academy Awards, Kokuho is a tougher sell elsewhere. Focusing on two kabuki rivals over a 50-year period, the film is nothing if not ambitious. Viewers unfamiliar with its...
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