Screen Anarchy

Filmmaker Spike Lee generally gets credit for inserting the “magical negro” phrase into pop culture more than two decades ago, but the idea itself dates back decades, if not longer. Coined to reflect the tradition in fiction or film of...

Tenement proves that a good ghost story can't get by on visuals alone. This Cambodian genre film by Inrasothythep Neth and Sokyou Chea deserves some praise because it is the rare horror effort out of that country. But when push...

Bonnie is the sole employee of a food truck, having fallen in love with cooking after a slightly magical-realist experience she had as a child. When she meets up with her estranged uncle, lines between life and death, dream and...

The summer between the end of high school and for some, college, can be filled with an unequal combination of anxiety and anticipation. Anxiety of the unknown and anticipation of new and novel experiences, of new friends and new relationships,...

It’s not being provocative — at least not intentionally — to suggest families, biological and otherwise, can seriously f*ck you up. Parents can fail their children. Children can fail their parents. Whether realistic or the opposite, expectations in either direction...

When Alexandre Bustillo and Julien Maury stormed onto the scene with A L'Interieur it was with a promise that was central to the appeal of that film: "we are not gonna pull any punches". As important linchpins of the New...

In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at Lucy Dacus' Night Shift, directed by Jane Schoenbrun. It is no secret I identify as queer. This part...

Nora (Rebecca Creskoff) is going through a rough patch. Still reeling from the loss of her young daughter and the breakup of her marriage, she’s trying out a new form of therapy to cope. Said therapy involves the annual tradition...

Last year, the Cannes Film Festival crowds screened its first ever Jordanian film, and simultaneously, the debut of director Amjad Al Rasheed. Inshallah A Boy is about the hypocrisy of vultures in times of grief, the societal constraints of a...

Despite the somewhat misleading English title (the original name can be roughly translated as “a lovely ride”), Driving Madeleine by a French director Christian Carion, is not exactly what it seems and has some surprises stored. Carion, who is mostly...