It's hard to fathom, even in hindsight, how a film about a dictatorship, its long reach into the lives of seemingly ordinary people, a love of old movie houses and carnivals, and something of an experimental narrative structure, could translate...
Andrey Zvyagintsev interrogates Russia in the same way 1990s era Zhang Yimou interrogated China: Methodically, metaphorically, and with an astutely savage eye for beautiful visuals to mask the criticism. There is a scene in his latest film, Minotaur, where the...
Filming has wrapped on an upcoming psychological horror flick When Emma Came Home, the feature debut from viral filmmaker Spencer Keller. ... an ambitious documentary filmmaker (...) sets out to discover what happened twenty years ago when a girl...
The Film by the Sea festival in Vlissingen (a.k.a. Flushing) started this year on a high note with its opening film Youri, by Sander Burger. The festival always has a large section dedicated to literary adaptations, and its main theme...
With spooky season running head on like a psycho killer wielding a machete our attention turns to the regional genre festivals that happen around the UK. Every year we check in on our friends at Celluloid Screams, the horror film...
The twentieth edition of this year's MOTELX film festival is drawing to a close today. The award winners were announced yesterday, so it is time for a bit of catch up. The Méliès d’argent Awards for the best European...
What is in the water in 2026 for the slasher horror subgenre? Between Avalon Fast flirting and subverting expectations in Camp, and Jane Schoenbrun's deep dive into eros and thanatos (and the pleasure principle) in Teenage Sex and Death at...
Many of us (myself included) have come to rely on our smartphone apps maybe a little too much, especially ones that tell us where to go. Even in our own hometowns, we can turn to google maps or Mapquest to...