Screen Anarchy

Busan 2025 Interview: ALL GREENS Director Takashi Koyama Talks the High-School Drug-Dealing Dramedy You Didn’t Know You Needed
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A lively conversation with the mind behind a daring dramedy at this year's BIFF. [Read the whole post on screenanarchy.com...]
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Sound And Vision: Lloyd Kaufman
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In the article series Sound and Vision we take a look at music videos from notable directors. This week we look at Entombed's Seeing Red, directed by Lloyd Kaufman. Lloyd Kaufman is the big brain behind cheap budget genre studio...
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San Sebastian 2025: Exclusive WEIGHTLESS Poster Premiere
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Premiering in San Sebastián, Weightless is a sensuous and unflinching coming-of-age drama that captures the fragile exhilaration of adolescence through the eyes of a girl learning to claim her place in the world. [Read the whole post on screenanarchy.com...]
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Fantastic Fest 2025 Review: THE CURSE Mines Familiar Tropes for Effective Thrills
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Kenichi Ugana's latest doesn't try to break new ground, but it still delivers the creepy, icky goods. [Read the whole post on screenanarchy.com...]
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CAMP First Look: Dark Sky Films Acquires US Distribution Rights to Avalon Fast’s Fantastic Fest Entry
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Avalon Fast's sophomore film, Camp, had its world premiere at Fanstastic Fest yesterday. Prior to that the folks at Dark Sky Films announced they had secured US distribution rights to the film. They released a first look clip for the...
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Busan 2025 Review: THE GREAT FLOOD, Thrilling Disaster Drowns in Confounding Sci-fi
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Following Omniscient Reader this summer, Director Kim Byung-woo returns with his second effects-heavy tentpole this year, the Netflix original The Great Flood, an ambitious film that dazzles and confounds in equal measure. The Witch star Kim Da-mi plays An-na, a...
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Busan 2025 Review: BEAUTIFUL DREAMER, Social Stigma of Suicide Takes Center Stage in Measured Korean Indie
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Indie cineaste Lee Kwang-kuk returns to Busan with his fifth film, Beautiful Dreamer, a sensitive tale of social stigma that dials down the wry humour that marked earlier works such as A Matter of Interpretation and A Tiger in Winter....
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Busan 2025: NO OTHER CHOICE, Park Chan-wook’s Delirious Dark Comedy is a Twisted Delight
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After losing his job of 25 years, an increasingly frustrated family man is driven to the brink in his efforts to protect his comfortable life in Park Chan-wook’s outrageous black comedy, No Other Choice. After debuting at Venice the film...
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Busan 2025 Review: FUNKY FREAKY FREAKS, Korean Teens Put Through the Wringer in Livewire Debut
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Han Chang-lok announces himself as a talent to watch with the grungy and livewire debut Funky Freaky Freaks, one of the titles duking it out in Busan's revamped competition section this year. This Korea National University of Arts (K'Arts) feature...
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LONDON CALLING Review: Comfortably Familiar Action Comedy
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Tommy Ward is one of the best hitmen in London, until he is not. When a job goes wrong and he mistakenly kills a family member of gang boss Freddy Darby, he needs to leave London in a hurry. The...
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