Screen Anarchy

The seventeenth edition of Morbido has all but wrapped up for another year. Despite our absence we were still able to wrangle in some reviews for films made by our friends down south, with one more coming down the pipeline. ...

Journalism is in crisis; in part due to people now getting their news from social media, in part due to the web forcing many newspapers and television outlets to publish their work for free; in part due to people not...

Father Javier is a man with a mission, and an addiction. His mission is to visit families with family members who are under some kind of spell. Javier does not believe that these incidents are nothing more than psychological or...

The Taiwanese master of slow cinema discuses VR works, the intersection of theatre, performance art and cinema, and upcoming works. [Read the whole post on screenanarchy.com...]

In the article series Sound and Vision we take a look at music videos from notable directors. This week: How To Destroy Angels' The Space In Between, directed by Rupert Sanders. Rupert Sanders likes his liquids thick and his protagonists...

Sam Raimi’s 2009 return to horror after the 1992 Army of Darkness, Drag Me to Hell, is from a more innocent time. Just like ye old E.C. Comics and Tales From the Darkside, Drag Me to Hell is a morality...

I apologized in the title, and I apologize again here, for propagating the deluge of Christmas themed romantic and family slop on the various streaming services. Recently this is providing much needed work for Lindsay Lohan, albeit Lohan does not appear the...

If there was a Guinness World Record for the most jacked-up Santa in a big-budget, Hollywood-financed, holiday-themed action-comedy, Oscar winner J.K. Simmons (Whiplash) would win hands down and biceps curled for his committed portrayal of Father Christmas (aka, St. Nick,...

Eddie Redmayne, Lashana Lynch, and Ursula Corbero star in a series inspired by Frederick Forsyth's suspense novel. [Read the whole post on screenanarchy.com...]

Edgar Nito’s rural legend horror flick, A Fisherman’s Tale, opens at dusk with a shot of La Miringua. We’re looking at her from a distance, peering at her through branches of a tree. She is feasting on a goat it...