Screen Anarchy

Amber and her friends visit Joshua Tree for a fun girls' trip but face hostility from locals. As tensions escalate and Amber's dark past surfaces, their rebellion ignites - turning their desert getaway into a jaw-dropping game of revenge. [Read...

Facing a lack of funding and infrastructure, why has the Pakistani entertainment industry turned to AI? [Read the whole post on screenanarchy.com...]

Ewan McGregor, Alisha Weir, Andrei Shen, Asa Butterfield, Helena Bonham Carter, and Mel Brooks star in the British animated musical adventure. [Read the whole post on screenanarchy.com...]

Presented by Film at Lincoln Center and The Museum of Modern Art, the 55th edition of New Directors/New Films takes place from April 8 through April 19, 2026, with filmmakers scheduled to attend in person. With a focus on innovative...

Plus: 'Mermaid,' 'Hamlet,' 'The Yeti,' 'Infiltrate.' [Read the whole post on screenanarchy.com...]

When we reunite with the former Sith apprentice to Darth Sidious they are now the Zabrak crime lord, one-time leader of the large criminal alliance, the collapsed Shadow Collective.   We are one year after Order 66, between their betrayal...

Co-created by Juri Rechinsky and Mario Hainzl, the film constructs a first-person docu-experiment in which body-camera footage across multiple continents reframes notions of everyday life through contrasting conditions of normalcy. [Read the whole post on screenanarchy.com...]

Abu Bakr Shawky's film unfolds as a multi-generational family saga that situates an intimate love story within the shifting social and political landscape of Egypt from the 1960s to the 1990s. [Read the whole post on screenanarchy.com...]

Austrian filmmaker Ruth Beckermann uses the spatial and historical layers of the Hilton Addis Ababa to examine how the legacy of Haile Selassie is constructed, negotiated and contested through personal memory, archival material and competing narratives. [Read the whole post...

Turning a maybe not quite beloved but certainly important cult object like 1978's faux-snuff/faux-documentary Faces of Death into a multiplex-friendly narrative film with aspirations of taking on major social media companies is no small endeavor, creatively or culturally. That's part...