Screen Anarchy

Brooklyn Horror 2024 Review: BONE LAKE, Sleek, Sexy Erotic Thrilller Comes With a Big Finish
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Professional couple Sage and Diego check in to their weekend rental, a literal mansion by a lake. Before they can say that it is almost too good to be true a younger, hotter couple, Matt and Cin, walk through the...
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Friday One Sheet: THE BRUTALIST
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Typography is no stranger to the design of Brady Corbet's "Monumental" new film, The Brutalist. The credits in both the film, and its recent trailer, do interesting things. This carries into this iconic poster, with the Statue of Liberty upside...
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DEMON POND 4K Review: Kabuki Is Better With Fish People
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Masahiro Shinoda's 1979 folk-horror apocalypse enters the Criterion Collection. [Read the whole post on screenanarchy.com...]
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DON’T MOVE Review: Filler Thriller Doesn’t Overstay Its Welcome
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If you hike or bike in city, state, or federal parks regularly, you're likely familiar with a simple, potentially life-saving rule: Always, and we do mean always, leave information behind as to where you're hiking or biking and when you're...
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DREAM WALKER: Fimmaker Sarah Kelley to Pitch Indigenous Teen Sci-Fi to Market at Whistler Film Festival + Content Summit
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We're always on the lookout for any Indigenous genre projects from anywhere around the World, but specifically here in Canada and Turtle Island. When news of a teen sci-fi called Dream Walker from Algonquin filmmaker Sarah Kelley crossed our desk we knew...
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VENOM: THE LAST DANCE Review: Third Time’s Sort of The Charm
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Given how the Marvel stranglehold on entertainment has been loosened as of late, it can be hard for fans to know what to expect from a current Marvel film. It's become clear that having to be an expert across multiple...
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MAGPIE Review: Daisy Ridley Delivers Knockout Performance in Marital Neo-Noir
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When Daisy Ridley (Sometimes I Think About Dying, The Marsh King's Daughter, the Star Wars sequel trilogy) last appeared on screen in Young Woman and the Sea earlier this year, she was literally and figuratively swimming for her life. She's...
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HOUSE OF ASHES Exclusive Clip: Maybe Ghosts Aren’t so Stupid, Marc?
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By all accounts the premiere of Izzy Lee's debut supernatural and topical horror flick, House of Ashes, was a rip-roaring success. Word from our friend and fellow Anarchist, Lee, is that the screening at Brooklyn Horror went very well. No...
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Slamdance Introduces THE INDIE AWARDS, Putting a Spotlight on Overlooked Indie Gems
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The folks at Slamdance have announced The Indie Awards, "an annual event dedicated to celebrating the spirit of truly independent filmmaking". The awards focus on US and Indigenous films that are either overlooked by film festivals or go unnoticed during...
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Lausanne 2024 Awards: MAKAMISA: PHANTASM OF REVENGE, Khavn de la Cruz’s Experimental Surreal Parable, Takes Top Prize
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Lausanne Underground Film Festival (LUFF) concluded its 23rd edition with a community-driven celebration of experimental cinema and sound. [Read the whole post on screenanarchy.com...]
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