Slant Magazine

‘Bring Her Back’ Review: Danny and Michael Philipou’s Soul-Sick Portrait of Grief
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The film has a white-hot nerve of pain running inside it that burns right through the screen. The post ‘Bring Her Back’ Review: Danny and Michael Philipou’s Soul-Sick Portrait of Grief appeared first on Slant Magazine.
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‘Hurry Up Tomorrow’ Review: The Weeknd Leans into Histrionic, Doom-Laden Navel-Gazing
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The film is less a work of clear-eyed introspection than a calculated image rebrand. The post ‘Hurry Up Tomorrow’ Review: The Weeknd Leans into Histrionic, Doom-Laden Navel-Gazing appeared first on Slant Magazine.
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‘Love’ Review: An Enrapturing Celebration of Human Emotion
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The film’s simplicity serves to highlight the rich complexity of human emotion. The post ‘Love’ Review: An Enrapturing Celebration of Human Emotion appeared first on Slant Magazine.
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‘Mission: Impossible – The Final Reckoning’ Review: Adrenaline and Absurdity, Hand in Hand
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The film leans into the absurdism that underlies the franchise’s appetite for escalation. The post ‘Mission: Impossible – The Final Reckoning’ Review: Adrenaline and Absurdity, Hand in Hand appeared first on Slant Magazine.
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‘Final Destination Bloodlines’ Review: A Franchise About Death Roars Back to Life
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Bloodlines finds frights and fun alike in a string of gory kills. The post ‘Final Destination Bloodlines’ Review: A Franchise About Death Roars Back to Life appeared first on Slant Magazine.
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‘Sister Midnight’ Review: Karan Kandhari’s Blackly Comic Vision of an Arranged Marriage
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Radhika Apte’s performance is the furious, beating heart of the film. The post ‘Sister Midnight’ Review: Karan Kandhari’s Blackly Comic Vision of an Arranged Marriage appeared first on Slant Magazine.
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‘Desert of Namibia’ Review: Yamanaka Yoko’s Tentative Portrait of Gen Z Disaffection
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Desert of Namibia comes full circle from one stalemate to another. The post ‘Desert of Namibia’ Review: Yamanaka Yoko’s Tentative Portrait of Gen Z Disaffection appeared first on Slant Magazine.
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‘Clown in a Cornfield’ Review: An Old-Fashioned Slasher That Doesn’t Take Itself Seriously
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Eli Craig’s film works precisely because it plays things straight. The post ‘Clown in a Cornfield’ Review: An Old-Fashioned Slasher That Doesn’t Take Itself Seriously appeared first on Slant Magazine.
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‘Henry Johnson’ Review: David Mamet’s Drama Bloviates on the Power Games of Aggrieved Men
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The film’s only resonance lies in the cynical assertions about society and human nature. The post ‘Henry Johnson’ Review: David Mamet’s Drama Bloviates on the Power Games of Aggrieved Men appeared first on Slant Magazine.
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Interview: Jia Zhang-ke on Reinventing His Cinematic Language in ‘Caught by the Tides’
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Jia discusses why he thinks the shifting nature of society has also shifted our conception of time. The post Interview: Jia Zhang-ke on Reinventing His Cinematic Language in ‘Caught by the Tides’ appeared first on Slant Magazine.
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