Slant Magazine

‘Mutiny’ Review: Jean-François Richet’s ‘Die Hard’ Rip-Off Hits Its Groove Too Late
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The filmmakers know how to be cheeky and over-the-top with a painfully familiar premise. The post ‘Mutiny’ Review: Jean-François Richet’s ‘Die Hard’ Rip-Off Hits Its Groove Too Late appeared first on Slant Magazine.
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‘Insidious: Out of the Further’ Review: The Sixth Installment Finds New Tricks in Old Nightmares
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It’s fun to see that there are still tricks up its clammy, spume-flecked sleeve. The post ‘Insidious: Out of the Further’ Review: The Sixth Installment Finds New Tricks in Old Nightmares appeared first on Slant Magazine.
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‘Gandahar’ Review: René Laloux’s Cult Classic Is a Psychedelic Trip Beyond the Bounds of Reality
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As in Laloux’s other films, the astonishingly bizarre rush of imagery does the heavy lifting. The post ‘Gandahar’ Review: René Laloux’s Cult Classic Is a Psychedelic Trip Beyond the Bounds of Reality appeared first on Slant Magazine.
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‘How to Divorce During the War’ Review: Andrius Blaževičius Melds the Personal and Political
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Blaževičius’s film aims to unmask righteousness as a performance. The post ‘How to Divorce During the War’ Review: Andrius Blaževičius Melds the Personal and Political appeared first on Slant Magazine.
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‘Franz’ Review: Agnieszka Holland’s By-the-Book Biopic of Literary Genius Franz Kafka
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The film is akin to an adaptation of a Wikipedia page, with full frontal nudity. The post ‘Franz’ Review: Agnieszka Holland’s By-the-Book Biopic of Literary Genius Franz Kafka appeared first on Slant Magazine.
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‘The Magic Faraway Tree’ Review: Ben Gregor’s Hardly Fruitful Enid Blyton Adaptation
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This cheery trifle amounts to little more than a collection of quirky character interactions. The post ‘The Magic Faraway Tree’ Review: Ben Gregor’s Hardly Fruitful Enid Blyton Adaptation appeared first on Slant Magazine.
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‘It Ends’ Review: Alex Ullom Turns a Road to Nowhere into an Existential Undertaking
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It Ends is a neatly crafted, if somewhat under-imagined, inquiry into a Twilight Zone scenario. The post ‘It Ends’ Review: Alex Ullom Turns a Road to Nowhere into an Existential Undertaking appeared first on Slant Magazine.
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‘The Wrong Girls’ Review: Dylan Meyer’s Fun, If Half-Baked, Ode to the Stoner Comedy
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When in doubt, the film defaults to rehashing jokes that felt a lot fresher 20 years ago. The post ‘The Wrong Girls’ Review: Dylan Meyer’s Fun, If Half-Baked, Ode to the Stoner Comedy appeared first on Slant Magazine.
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‘Coyote vs. Acme’ Review: An Anarchic, ‘Looney Tunes’-esque Assault on Capitalist Greed
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Dave Green’s film suggests a Coyote-Road Runner short by way of Michael Clayton. The post ‘Coyote vs. Acme’ Review: An Anarchic, ‘Looney Tunes’-esque Assault on Capitalist Greed appeared first on Slant Magazine.
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‘The End of Oak Street’ Review: A Dinosaur Movie Possessed of an Extinction-Level Imagination
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The lack of thrills might be easier to accept if the human drama had also yielded dividends. The post ‘The End of Oak Street’ Review: A Dinosaur Movie Possessed of an Extinction-Level Imagination appeared first on Slant Magazine.
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