The Film Stage

It’s hard to imagine we’ll get a better soundtrack this year than that for Jane Schoenbruen’s I Saw the TV Glow. Bringing together yeule, Frances Quinlan, Florist, King Woman, Caroline Polachek, Bartees Strange, Jay Som, The Weather Station, L’Rain, Drab Majesty,...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. La Chimera (Alice Rohrwacher) While Indiana Jones and the Dial of Destiny perhaps garnered more press...

Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss David Leitch’s The Fall Guy, now in theaters. Enter our giveaways, get access to our private Slack channel, and support new episodes by becoming...

Rarely has a star been less visible than Jordi Mollà in Aggro Dr1ft. You could surmise this only knowing the film by random screenshots invariably featuring the Spanish actor––iconic across multiple contients for his dark swoop of hair and eyes...

Though Richard Linklater’s Hit Man is about to debut in theaters and on Netflix––just after his under-the-radar documentary God Save Texas: Hometown Prison came to Max––the ever-prolific American was recently in Paris for Nouvelle Vague, his chronicle of the making of...

If there is any justice in this world, we’ll get an Aaron Falk mystery every few years in perpetuity. Force of Nature: The Dry 2, written and directed by Robert Connolly and based on the novel by Jane Harper, offers...

For their latest retrospective, Metrograph have turned their sights towards Kelly Reichardt. Ahead of “American Landscapes: The Cinema of Kelly Reichardt” running from Saturday, May 11 to May 27, with Reichardt present for screenings the first weekend, we’re pleased to...

It’s the most exciting time of the year for a cinephile: the Cannes Film Festival is set to kick off next week, running May 14-25. Ahead of festivities we’ve rounded up what we’re most looking forward to, and while we’re...

Boasting one of the longest yet most intriguing titles of the year, Humanist Vampire Seeking Consenting Suicidal Person marks the debut feature from Ariane Louis-Seize. An acclaimed selection at Venice Film Festival, where it picked up the Giornate Degli Autori...

One of the greatest discoveries at this year’s Sundance Film Festival, India Donaldson’s directorial debut Good One is also the only film this year to go on to play New Directors/New Films and the Cannes Film Festival. Picked up by...