The Film Stage

After an eight-year gap between Maps to the Stars and Crimes of the Future, thankfully the wait for the next film from David Cronenberg isn’t nearly as long. In fact, The Shrouds will premiere this month at Cannes Film Festival....

Returning with one of her most acclaimed films in years, Agnieszka Holland’s Green Border premiered at Venice Film Festival last fall where it picked up a Special Jury Prize. Now, the harrowing, deeply humanistic account of the migrant journey between...

In a rather surprising turn of events, after Cannes skipped on premiering Emmanuelle––Audrey Diwan’s follow-up to her Golden Lion-winning Happening––the film won’t be at Venice, Telluride, or TIFF either as the 72nd San Sebastian Festival announced it will world premiere...

Safe to say Drive My Car‘s success wouldn’t have reached its historic heights sans Eiko Ishibashi, whose musical contributions acted as both complement and counterpoint to Ryusuke Hamaguchi’s lengthy, ornate drama. Perhaps nobody would affirm this more than Hamaguchi: likely...

One of our early favorites of 2024, Kelly O’Sullivan and Alex Thompson’s Saint Frances follow-up Ghostlight premiered at Sundance and stopped by SXSW before coming to theaters next month from IFC Films. Ahead of the June 14 theatrical release, the first trailer...

2024 marks 40 years since experimental filmmaker Lynne Sachs took her first video class at DCTV, and in celebration, DCTV’s Firehouse Cinema in NYC will be presenting an extensive retrospective. Taking place June 7-11, the series features 24 of her...

It’s now been over 600 days since the world’s most forward-thinking filmmaker, Jean-Luc Godard, left this world, but the icon of the French New Wave and beyond graciously left us with a few works. Last year, Cannes Film Festival held...

In the six years since his accomplished narrative directorial debut Diane, we’ve been wondering when Kent Jones would announce his follow-up. As he continues to work with Martin Scorsese on scripting his two upcoming Jesus projects, Jones’ next directorial feature...

I’ve predicted Megalopolis, anticipated as it is, will have a clear dividing point: the cultural commentariat hoping to see “another film by the director of The Godfather” and those who appreciate “something that looks and sounds like a Star Wars...

Rarely does film news engender such outcry as word of Netflix cancelling David Lynch’s animated feature Snootworld––and understandably so––but I’m far more incensed to learn they also canned his series Unrecorded Night. Little was known about it: speculation / conjecture...