The Film Stage

It might be too on-the-nose to call Saved! a minor miracle of a movie, but how else would you describe Brian Dannelly’s faith-centric satire? Since it was released in arthouses and multiplexes 20 years ago this week, it’s remained one...

With Cannes Film Festival now wrapped up, the next film festival on our radar is the Tribeca Festival, which kicks off its 23rd edition from June 5 to 16. One film we’re looking forward to is Don’t You Let Me...

“Everyone has at least one person in Mumbai.” “There’s work and money in Mumbai. Who would want to go back?” “You better get used to the impermanence.” Like poetry, the hushed voices of real Indian migrant workers pour gently over...

When friend and Film Stage contributor Ethan Vestby suggested I watch Nate Wilson’s The All Golden, I did so with no expectations of what might follow. My enthusiasm was frankly non-existent, having no sense of what the film even is....

In a career spanning four decades and eight features, Alain Guiraudie has cemented himself as one of our most astute chroniclers of desire. If there’s any leitmotif to his libidinous body of work, that’s not homosexuality (prevalent as same-sex encounters...

The 76th edition of the Cannes Film Festival has now concluded, with Sean Baker’s Anora taking home the top prize of Palme d’Or. While our coverage will continue with a few more reviews this week––and far beyond as we provide...

Headlines read, “Leos Carax Bring Back Baby Annette to the Croisette,” but this is only half the truth. Yes, the legendary puppet makes a comeback in C’est Pas Moi (English: It’s Not Me), his new film in Cannes’ non-competitive Premiere...

For his tenth Cannes feature premiere, Arnaud Desplechin chose to present a docu-fictional love letter to cinema. Two years after Brother and Sister was in Competition, Spectateurs (or Filmlovers!) is one of the festival’s Special Screenings, an effervescent walk down...

The chic balconies of Marseille certainly offer an image that is photogenic enough to open Noémie Merlant’s sophomore feature, The Balconettes, especially as seen from the meandering perspective of a crane shot. As the camera traces facades and their baby-blue...

Simply put, Brazilian motels are places for people to have sex. Everyone knows it, no one objects to it. You pay by the hour and the suite is yours––a big bed, porn on-demand, bring red or blue lighting to illuminate...