The Film Stage

Cannes Review: The Hyperboreans is Cristóbal León and Joaquín Cociña’s Warning Against Political Amnesia
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“We humans are capable of greatness,” reads the first line in Cristóbal León and Joaquín Cociña’s The Hyperboreans as the narrator’s voice beams from an old TV set. On the screen, a hypno wheel spins and spins; the voice speaks...
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The Film Stage Show Classic – Field of Dreams (with Noah Gittell)
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Welcome to a new episode of The Film Stage Show! Brian Roan and Robyn Bahr discuss Field of Dreams (now streaming on Prime Video) in a special Classic episode featuring guest Noah Gittell, author of the new book Baseball: The...
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Cannes Review: To a Land Unknown Tells a Bitter Poem of Palestinian Exile
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The tragic predicament of the Palestinians and what they’re now being subjected to begs to be analyzed and dissected, with various areas of dubious historical consensus put to new scrutiny; in Mahdi Fleifel’s fiction debut To a Land Unknown, we’re...
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Cannes Review: The Shrouds Is a Low-Key Chiller from David Cronenberg
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David Cronenberg’s films have often imagined a future where technology would find a way into our collective id. 55 years into the director’s incomparable career, might that future have finally caught up with him? In Cronenberg’s new film––the slick, scrambled...
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Cannes Review: The Apprentice Is a Deep-Dive Diss of Donald Trump and the American Soul
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For a biopic about Donald Trump, The Apprentice is surprisingly concerned with other things. The film has exactly what you might expect and somehow a curiosity around every corner, a familiar historical intrigue firmly planted in a tonal shock. The...
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Cannes Review: Renate Reinsve Proves Brilliant In Halfdan Ullmann Tønde’s Debut Armand
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How is a child’s life different from that of adults today? What is it like growing up around stimuli, in a world that is always-online, and with varying degrees of supervision? Is complete safeguarding even possible? These are questions contemporary...
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A Vittorio De Sica Masterwork is Restored in New Trailer for Shoeshine
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While certainly best-known for Bicycle Thieves, Vittorio De Sica’s vast, varied body of work is worth diving into. This June, those in NYC can experience quite a taste of it with four films by the director at Film at Lincoln...
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A Mystery Unfolds In First Trailer for Alain Guiraudie’s Cannes Premiere Misericordia
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The Cannes crush can be so unforgiving. This year’s case in point: Misericordia has premiered to relatively little notice despite being the latest by the great Alain Guiraudie. This is no doubt owed to placing out of competition and into...
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MUBI’s June 2024 Lineup Features Ryusuke Hamaguchi, Abbas Kiarostami, Hirokazu Kore-eda & More
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MUBI has unveiled next month’s streaming lineup, featuring recent releases such as Hirokazu Kore-eda’s Monster, Tynan DeLong’s Dad & Step-Dad, and Rachel Lambert’s Sometimes I Think About Dying. Additional highlights include Ryusuke Hamaguchi’s Passion, Abbas Kiarostami’s Certified Copy, Alex Thompson’s Saint...
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Cannes Review: Limonov: The Ballad Finds Ben Wishaw Leading a Boisterous Biopic
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At a wake for the murder of Russian journalist and activist Anna Politkovskaya, shot dead in 2006 in the elevator of her apartment block in Moscow, French writer Emmanuel Carrère spotted a familiar silhouette. Though born Eduard Veniaminovich Savenko, by...
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