The Film Stage

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of the Moving ImageA retrospective of snubbed performances brings the Wharton double-bill The Age of Innocence and Terence Davies’ criminally underseen The House of Mirth; World on a Wire and THX 1138...

Bonello Season approaches. In anticipation of the U.S. release of The Beast and, at long last, Coma––or just an excuse to watch one of this (any) century’s greatest films; either works!––The Film Stage is proud to present his masterpiece House...

Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. And the Razzie Goes to . . . As much as we hate to...

After seven long years following the one-two, varied punch of Midnight Special and Loving, director Jeff Nichols is finally back. The Bikeriders––bringing together the stellar cast of Tom Hardy, Austin Butler, Jodie Comer, Michael Shannon, Boyd Holbrook, Norman Reedus, and...

Although there’s no distributor yet confirmed for Francis Ford Coppola’s decades-in-development, nearly completed epic Megalopolis, we’re starting to get a sense of when we may see the $100 million epic. The director himself recently indicated it’ll be out in a...

The glut of movie podcasts makes it hard to prioritize any single show. But there’s been unique pleasure in One Handshake Away, which allows directors to reflect on titans of yesteryear who host Peter Bogdanovich once interviewed––supplemented by audio of...

A yearly spotlight glancing into the future of cinema, Film at Lincoln Center and the Museum of Modern Art have now announced the 53rd edition of New Directors/New Films (ND/NF), taking place from April 3 through April 14, 2024. Bookending...

The new film from Johan Renck, efficiently titled Spaceman, offers two central conceits. The first: that a vessel en route to a cloud of purple dust, somewhere in the region of Venus, might be visited by a benevolent alien with...

Early Modern times were messy: Europe was finding its footing in rationalism, seeking independence from the centuries-long spiritual yoke of Catholicism and Protestantism. Shedding the skin of the past seems, at least from our standpoint today, the best thing that...

How can you make a film about the fall of Yugoslavia? This is the question American documentarian Travis Wilkerson asks himself at the start of Through the Graves the Wind is Blowing, after acknowledging his own position as a foreigner...