The Film Stage

Los Angeles Festival of Movies Unveils Inaugural Lineup with I Saw the TV Glow, Good One, The Human Surge 3 & More
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A new film festival is on the scene. Los Angeles Festival of Movies (LAFM), co-presented by MUBI and Mezzanine, has announced the full line-up for its inaugural run, taking place April 4-7, 2024. Boasting 11 titles––including one world premiere, three 4K restorations, a featured...
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Kim’s Video: The Strange Story of the World’s Best Video Store Arrives This April
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Anyone interested in physical media should surely know the tale of Kim’s Video. The East Village establishment last closed its doors in 2014, though its rental collection (which departed NYC in 2008 following the closing of its original iteration, Mondo...
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High & Low: John Galliano Review: Portrait of the Artist as Inadequately Remorseful
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It’s hard knowing what to make of Kevin Macdonald’s High & Low: John Galliano. It concerns the controversial fashion designer, his unexpected rise (“the son of a plumber” from Gibraltar), his stratospheric success, his catastrophic fall. For those who may...
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The Film Stage Show Ep. 531 – Top 10 Films of 2023
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Welcome to a new episode of The Film Stage Show! Ahead of the Oscars, Brian Roan and Robyn Bahr share their favorite films of 2023 and more best-of-the-year picks. Enter our giveaways, get access to our private Slack channel, and...
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Watch Takashi Miike’s iPhone-Shot Short Midnight
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Takashi Miike works, still, at such a tireless pace that it was just a matter of time until he shot an entire project with the camera in his pocket. Strange though it is seeing the man behind Audition and Ichi...
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Sing Sing Trailer: Colman Domingo Finds Healing Through Performance in Acclaimed Drama
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With a major last 12 months, starring in half a dozen films and receiving an Oscar nomination, Colman Domingo’s best performance of the bunch is in Greg Kwedar’s drama Sing Sing. A TIFF premiere that was picked up by A24...
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Glitter & Doom Review: Indigo Girls Musical is Colorful, Charming, and Ultimately Shallow
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Let’s start here: the production design in Tom Gustafson’s Glitter & Doom is impeccable, colorful, and memorable. Too often these days films lack an adventurous color palette. Here we have a welcome outlier. Production designer Geo Martínez breathes life into...
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Trailer for The People’s Joker Brings DC-Skirting Film to Theaters
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For a little while it seemed The People’s Joker might be lost to time, a new generation’s Day the Clown Cried or, if you like, Promises Written in Water. Despite an initial screening in TIFF’s Midnight Madness program, director Vera...
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Claire Denis Confirms New Film The Fence, Hints at Second Project
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Just last summer it was learned Claire Denis would soon location-scout her new feature in Cameroon, where she grew up and would use as a central area for Chocolat and White Material. Because scoop sites were not exactly running through...
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Med Hondo’s Masterful West Indies: The Fugitive Slaves of Liberty Receives New Trailer Ahead of Restoration’s Debut
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There’s no movie that operates quite like Med Hondo’s West Indies: The Fugitive Slaves of Liberty, a decades-spanning yet extremely cloistered musical about the horrors of slavery and colonialism––essentially the most dazzling take one could have on such blood-chilling material....
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