The Film Stage

Berlinale Review: The Ice Tower is Lucile Hadžihalilović’s Most Bewitching Film Yet
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If there is a filmmaker whose work can be described as “elemental cinema,” that’s Lucile Hadžihalilović. It’s easy to chronicle her 2015 film Evolution as fluvial for its many water (and underwater) scenes, but also how its rhythmic flow steers...
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Berlinale Review: Sam Riley-Led Neo Noir Islands Plays It Too Safe
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Sam Riley stars as Tom, a washed-up tennis-pro-turned-coach at a luxury island hotel on the Canary Islands, in Islands, the English-language debut of A Coffee in Berlin director Jan-Ole Gerster. He is the protagonist, but we know little about a...
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Berilnale Review: Girls on Wire is a Polished Yet Disappointing Return for Vivian Qu
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With just two films to her name (in addition to co-producing the Golden Bear-winning Black Coal, Thin Ice), Vivian Qu has become one of China’s most prominent female filmmakers. Her long-awaited follow-up to the excellent Angels Wear White (which premiered...
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Berlinale Review: Girls on Wire is a Polished Yet Disappointing Return for Vivian Qu
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With just two films to her name (in addition to co-producing the Golden Bear-winning Black Coal, Thin Ice), Vivian Qu has become one of China’s most prominent female filmmakers. Her long-awaited follow-up to the excellent Angels Wear White (which premiered...
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Berlinale Review: The Botanist Offers Sun-Soaked Landscapes, Coming-of-Age Curiosities
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Few things loosen the grip of winter like a sun-kissed film. Add listless days and young love to the narrative and you might even forget the icy chill outside. Snow was gently falling around the Zoo Palast before an early...
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Memoir of a Snail Director Adam Elliot on Making His Audience an Emotional Wreck and Why He Won’t Win the Oscar
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Two decades ago, stop-motion animator Adam Elliot burst onto the scene with his wonderful short Harvie Krumpet. Following a man cursed with lifelong bad luck, it earned him an Oscar and introduced the world at large to Elliot’s wicked sense...
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Berlinale Review: Ari Unlocks the Beautiful Mystery of an Ordinary Life
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French director Léonor Serraille’s third feature Ari is the portrait of an über-sensitive young man who ponders his place in the world while looking up people from his past to hold conversations that were never had. If this sounds like...
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Berlinale Review: Michel Franco’s Dreams Spins the Treacherous Dance of Love Across Borders
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Some images have become metonymic by nature, reflecting the political problems of today with little to no context needed. Such a shot opens Michel Franco’s newest offering, Dreams, and it is one of a huge truck abandoned next to a...
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Mickey 17 Review: Bong Joon Ho’s Sci-Fi Comedy is an Oddly Manipulative, Self-Congratulatory Parable
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Is Mark Ruffalo giving a Trump impression? It’s early into Bong Joon Ho’s Mickey 17 when the actor struts into the frame in a velvety blazer, wife Ylfa (Toni Collette) in tow, gloating as a crowd stands and claps like...
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Berlinale Review: Hot Milk Offers a Marvelous Look at Maternal Trauma
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A mother-daughter relationship is rarely a love story, at least not in any of the ways art has dramatized it thus far. Sure, a mother loves her daughter deeply (and vice-versa), but it is a sentiment defined by ambivalence and...
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