The Film Stage

Sundance Review: André Is an Idiot is a Noble Document of a Dumb Decision
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There is an unbridled honesty to André Is an Idiot that is admirable, even if all of it doesn’t really work. It’s a simple, stark subject for a documentary: accomplished advertising creative André Ricciardi neglected to get a colonoscopy at...
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Sundance Review: Twinless Doubles Up Dylan O’Brien in Unpredictable, Dark Comedy
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Twinless starts like a prototypical Sundance movie––grim and serious, plus unexpected levity. That’s the general formula for a festival that might as well have manufactured the term “dramedy.” In this case there’s an offscreen car accident and quick cut to a...
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Sundance Review: Together Traps Alison Brie and Dave Franco in Relationship Horror
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Early in Michael Shanks’ directorial debut Together, Millie (Alison Brie) warns her boyfriend Tim (Dave Franco) that if they don’t “split up” now, it’s only going to be harder later. She didn’t know how right she was about that. After...
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11 Films to See in February
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With Sundance wrapped up, much of February’s attention toward the world of cinema will be on Berlinale. This month certainly isn’t stacked for new releases, but there’s a handful of gems and highlights worth having on your radar. 11. Bring...
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Sundance Review: BLKNWS: Terms & Conditions is a Poetic Celebration of the Past, Present, and Future of Black Culture
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Celebrating and condensing centuries of Black history that would take more than a few lifetimes for any scholar to thoroughly ascertain in totality, Kahlil Joseph’s BLKNWS: Terms & Conditions eschews dryly academy ethnographic study to deliver a kaleidoscopic, vigorous, engrossing...
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Sundance Review: Bunnylovr is a Compelling, Messy Character Study in Social Isolation
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Sensitive and nuanced, Katarina Zhu’s directorial debut Bunnylovr is a compelling character study that never quite makes sense of the messy life of personal assistant by day / cam girl by night Becca (Zhu). Perhaps that is the point, although...
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David Cronenberg’s The Shrouds Sets Spring Release as New Teaser Arrives
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After his long-awaited return with Crimes of the Future, David Cronenberg returned last year to the festival circuit with The Shrouds, a darkly funny conspiracy thriller led by Vincent Cassel, Diane Kruger, and newly minted Oscar nominee Guy Pearce. Picked...
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Sundance Review: If I Had Legs I’d Kick You Sets Rose Byrne in a Tense Nightmare
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Many films, from the classic melodrama Mildred Pierce to last year’s playful dramedy Nightbitch, have tried to depict the unique struggles of motherhood with a focus on the special intimacy of child-rearing. Mothers have long borne the brunt and most...
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Sundance Review: Love, Brooklyn Traces a Tender Romance Through a Vague Borough
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You can feel the warm breeze filtering through Love, Brooklyn, a gentle, dream-like summer movie that often teeters on the edge of reality. Rachael Abigail Holder’s debut feature, written by Paul Zimmerman, doesn’t necessarily drift in and out of abstract fantasy,...
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Sundance Review: Predators Examines the Moral Complexities of a Hit Reality Show
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Filmmaker David Osit gives viewers a lot to wrestle with in Predators, his documentary about the reality show To Catch a Predator, which captured the zeitgeist of the early 2000s. In the show, host Chris Hansen confronted adult men who...
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