The Film Stage

Power Ballad Review: Paul Rudd and Nick Jonas Strike a Chord
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Note: This review was originally published as part of our 2026 SXSW coverage. The film opens in theaters on May 29. A film squarely in the wheelhouse of co-writer and director John Carney, Power Ballad plays the hits with a...
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The Best Films of the 2026 Cannes Film Festival
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The 79th edition of the Cannes Film Festival has now concluded, with Cristian Mungiu’s Fjord taking home the Palme d’Or (see all jury winners here). While our coverage will continue with a few more reviews this week––then far beyond, as...
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Cannes Review: Valeska Grisebach Returns with Spellbinding Noir The Dreamed Adventure
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For some, the premiere of Valeska Grisebach’s new film was the kind of thing to be discussed in hushed tones. Here was the long-awaited return to Cannes, nine full years since Western, a singular film that, by now, is within...
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Cannes Review: Kiyoshi Kurosawa Spins an Entrancing Yarn with The Samurai and the Prisoner
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Lord Murashige Araki (Masahiro Motoki) doesn’t like killing. A samurai presiding over Arioka Castle in 16th-century Japan, he’s a walking contradiction—a warrior bound by a merciless code of conduct he has no trouble forsaking, much to the dismay of his...
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Cristian Mungiu’s Fjord Wins Palme d’Or: See Full List of Cannes 2026 Winners
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As the 79th edition of Cannes comes to a close, president Park Chan-wook and his jury of Demi Moore, Ruth Negga, Laura Wandel, Chloé Zhao, Diego Céspedes, Isaach De Bankolé, Paul Laverty, and Stellan Skarsgård have unveiled the winners. Leading...
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Cannes Review: Radu Jude’s Diary of a Chambermaid Is a Humurous, Slight Meta Take on Mirbeau
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Radu Jude has been rolling through features since his international breakout Aferim! in 2015, and his taste is nearly impossible to pin down. The films range from a three-hour documentary on the first massacre of Jews in Romania during WWII...
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Cannes Review: With Coward, Lukas Dhont Sets Queer Love Story In Trenches of WWI
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Cinema has taken viewers to the trenches of World War I so often that audiences might as well have formed sensory memories of a throat-clenching terror, the screams drowned by a sudden explosion and ears ringing. It’s all artificial, of...
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Cannes Review: La Bola Negra Feels Like an Epic, Long-Lost Novel
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When it comes to storytelling, if the 19th and 20th centuries were defined by grandiose literature, the 21st century is all about cinema. We read less and watch more; consequently, films have become a substitute for sweeping stories that weave...
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Cannes Review: La Gradiva Is a Remarkable Debut of Extraordinary Sensitivity
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Marine Atlan’s La Gradiva—winner of the Cannes Critics’ Week Grand Prize—begins from a familiar cinematic premise: a school trip abroad for a busload of restless teenagers temporarily freed from the surveillance of home. Yet the film steadily slips from the...
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Cannes Review: Low Expectations Is an Accomplished and Bittersweet Debut
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From A Star is Born to Vox Lux to Inside Llewyn Davis, cinema abounds with stories of jaded musicians who either burned too bright or never quite reached the heights they hoped. In the new film Low Expectations, a bittersweet...
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