The Film Stage

“It Was Worth the Hassle”: The Brutalist Editor Dávid Jancsó on Deliberate Pacing, Multiple Formats, and Crying at Venice
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With a sprawling 215 minutes and VistaVision footage, not to mention a variety of other formats––including 8mm, 16mm, Super 16mm, 35mm (two-perf, three–perf, four-perf, and eight-perf), Betacam, even an Arri Alexa shot––constructing Brady Corbet’s The Brutalist took editor Dávid Jancsó...
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Jared Mobarak’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Besides my annual trip to the Toronto International Film Festival—at which I mostly saw films that have...
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Everything Steven Soderbergh Watched and Read in 2024
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It’s that time of year again. While some directors annually share their favorite films of the year, Steven Soderbergh lists everything he consumed, media-wise. For 2024––another year in which he not only premiered a new film, but shot another and is prepping another...
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New to Streaming: It’s Not Me, A Real Pain, Wallace & Gromit: Vengeance Most Fowl, Wicked & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. The Childhood of a Leader (Brady Corbet) While Brady Corbet’s The Brutalist slowly starts...
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NYC Weekend Watch: The New World, AI, The Thing & More
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NYC Weekend Watch is our weekly round-up of repertory offerings. Roxy CinemaThe New World shows on 35mm this Sunday. Film ForumAI: From Metropolis to Ex Machina begins, featuring Alien, 2001, Metropolis, A.I. Artificial Intelligence, and more; The Umbrellas of Cherbourg‘s 4K restoration...
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John Fink’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. No matter what 2025 brings, 2024 in cinema felt like a year of unprecedented freedom...
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Love Me Trailer: Kristen Stewart and Steven Yeun Find Romance Across Billions of Years
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One of the most ambitious films to premiere at Sundance Film Festival last year was Sam Zuchero and Andy Zuchero’s Love Me, which set Kristen Stewart and Steven Yeun in a love story that took place across 13 billion years....
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From Ground Zero Review: Palestine’s Oscar Entry Is a Sobering Anthology Capturing Life During Wartime
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From Ground Zero is a film that, in an ideal world, would not exist, and cannot be written about as if it were a normal production. This anthology of 22 shorts is Palestine’s submission for the Best International Film Oscar...
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Daniel Eagan’s Top 10 Films of 2024
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Following The Film Stage’s collective top 50 films of 2024, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Among the many problems with movie lists is the lack of a common starting point....
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Santosh Review: U.K.’s Oscar Entry is a Taut Exploration of Gender Politics and Police Corruption
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After the riot-induced death of her policeman husband in the badlands of North India, 30-something widow Santosh Saini (Shahana Goswami) is told she has nothing. Her house, provided by the State, belongs to the State and will be reclaimed, along...
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