The Film Stage

New to Streaming: ME, Coma, Hundreds of Beavers, Humanist Vampire Seeking Consenting Suicidal Person & More
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Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past round-ups here. Bad Boys: Ride or Die (Adil El Arbi and Bilall Fallah) Bad Boys: Ride...
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Maren Ade Sets First Film Since Toni Erdmann with Magic Word
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With only three stellar features to her name in the last two-plus decades, The Forest for the Trees, Everyone Else, and Toni Erdmann, every new film from Maren Ade comes with much anticipation. While she’s also stayed busy producing no...
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The Friend Directors Scott McGehee & David Siegel on Finding the Perfect Dog, Bill Murray’s Notes, and Avoiding Cliches
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Writer-director duo Scott McGehee and David Siegel have been working together for 30 years, since their debut thrilled Suture in 1994. Since then, they’ve only made seven films, with their latest being The Friend, a comedy-drama adaptation of Sigrid Nunez’s...
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“Nobody Can See It In Georgia”: April Director Dea Kulumbegashvili on State Suppression and Luca Guadagnino’s Protection
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With only two feature films, Georgian writer-director Dea Kulumbegashvili has collected some of the highest accolades in the film world. Her astonishing debut Beginning received a Cannes label at the festival’s canceled pandemic edition and won four of the seven...
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Jude Law Hunts Down White Supremacists in First Trailer for Justin Kurzel’s The Order
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Working at quite a steady clip, Justin Kurzel followed up True History of the Kelly Gang and Nitram with The Order, which premiered this fall at Venice Film Festival. Starring Jude Law, Nicholas Hoult, Tye Sheridan, Jurnee Smollett, Alison Oliver,...
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BFI London Review: All of You Offers a Grown-Up Sci-Fi Romance
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Many films have dared to ask if a man and a woman can ever just be friends, but very few have managed to answer in the affirmative. For most of its first half, All of You appeared destined to wind...
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U.S. Trailer for Payal Kapadia’s Dazzling Cannes Winner All We Imagine as Light
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One of the most acclaimed films of the year, Payal Kapadia’s dazzling Cannes Film Festival Grand Prize winner All We Imagine as Light is now finally rolling out stateside. After stops at Telluride, TIFF, and NYFF, Sideshow and Janus Films...
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BFI London Review: Blitz Is an Unabashedly Hopeful, Mainstream Work from Steve McQueen
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Steve McQueen has long been upfront about his desire to make a musical; before Widows underwhelmed at the box office, it appeared likely that a passion project within that genre would be his next film. With each subsequent effort, it...
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“Shut Up, Shut Up, Listen”: Julia Loktev on My Undesirable Friends: Part I — Last Air in Moscow
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For a certain kind of cinephile (e.g. me) more than a decade’s been spent wondering about Julia Loktev. The brilliant director behind Day Night Day Night and The Loneliest Planet has been largely off-the-grid since the latter’s release in 2011,...
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NYFF Review: The Ballad of Suzanne Césaire is a Bold Rethinking of Black Surrealism 
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The Ballad of Suzanne Césaire, the feature debut from artist and filmmaker Madeleine Hunt-Ehrlich, aims to foreground its primary literary material and historical context, but instead directs more attention to its oneiric touches and environmental phenomena––the “wind in the trees,”...
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